14
Jun

Day 460

Lentillas de Colores: just a month ago I was recommending a CD release by the León, Spain. Well, it didn’t take long for them to announce a new vinyl release! It is coming out on July 19 and includes 4 songs! You can preview all four songs on Bandcamp as well as grab some lovely merch like totebags and t-shirts!

The Goon Sax: after the announcement of their upcoming album “Mirror II”, the Brisbane-trio has released a video for the song “Psychic”! Great video, great song. Can’t wait for the album.

Jilted Jonas: oh! It’s been a while since we heard from the Swede based in Berlin. Well, the wait is over and there’s a new catchy indiepop track called “Silent Kisses”. It is a fine slice of lo-fi indiepop. Perfect for this sunny weekend!

Pelopincho: one of our favourite Latin American bands, the Buenos Aires combo has released a new video for their song “Tijeras Oxidadas” which was released on June 10th. The album is “Loop Adolecente” and will be available digitally.

Skiftande Enheter: oh, I feel bad for having missed this 7″. I only discovered it the other day. It came out on a label I was not aware of, Chunklet Industries from Atlanta. The 7″ which is now sold out included two songs, “Lögn” and “Bättre Förr”. The band is very Flying Nun sounding, that’s a good thing. The songs are really good. So yeah, let’s listen to them on Bandcamp. 50 copies are too little…

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A few days ago I got a request to look into this US band. I must say I have never heard of them before so that picked my curiosity. On top of that, the one song I was able to listen on the web, “Space of Ten Days”, sounded like candy to my ears. So I couldn’t say no, and I am here doing some detective work on the blog.

The song I mentioned was included in an 8-song album called “Priests & Poets” that was released by S.H.C. Records (002A) in 1987. I would guess that this was the band’s own label as both releases listed are by the same band.

Indeed, the other release, a 7″ with two songs, “All the Guns” on the A side and “Conversation” on the B side, was released in 1986 by the same label (001A). I am checking the back of the jacket and I find some information that may help us find out more about them.

To start the two songs were produced by Chan Poling and thee band. The first song, “All the Guns”, was engineered by D. Goulet while the B side was engineered by M. Owens and K. Glynn. Sadly there are no first names anywhere but on the sleeve design credits, John Myron Hansen.

One thing though is that the label has an address in Minneapolis. And the contact person of the label is not one of the band members. We see this name, S. Koebel Price. Maybe then, the band and the label were two different entities?

Oh! And yes, of course, the band members appear here too. Michael Jacobson on words and guitars, Davids Sarma on guitar, D. Moriarty on bass and Mike Padilla on drums and percussion.

Now let’s get back to the 1987 album. I mentioned 8 songs. These were “Daylight”, “25th Year”, “Martyr” and “In this Life” on the A side and “Grayed Expectations”, “Space of Ten Days”, “Until You Smile” and “Drop the Ball” on the B side. All songs were recorded at Nicollet Studios which was based in Minneapolis. I feel by this point we can safely assume that the band hailed from there.

I also notice some changes in the band. I don’t see a D. Moriarty but a Ben Peters on bass and vocals. Davids Sarma is now credited on cello as well. The producers for this record was Chris Osgood (from Buzz Barker & the Atomic Bums, L73 and The Suicide Commandos) and the band. The engineeer was Steve Fjelstad (who had done some remixes for R.E.M. and was part of L73, Fingerprints and Figures). The art is credited again to John Myron Hansen.

I don’t see on Discogs any compilation appearances. I don’t see any other bands they might have been involved with.

I look for them. I find that Davids Sarma was once part of the Tau Beta Pi and graduated cum laude at the University of Minnesota in 1994. It proves a bit harder to track the other band members as their names are a bit more common.

And that’s really it. I couldn’t find any more info. But I hope some of the readers from Minneapolis can help with more details!

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Listen
Circle of Eyes – Space of Ten Days

11
Jun

Day 457

Jane and John: from London comes this cool duo that started during the pandemic. They have released three songs so far. The latest two are brand new, “Here at Last” and “Boing Boing”. They are fun electronic pop, influenced by Helen Love I’d say. Or if you liked Supercute, that’s a good comparison too. This is great. Fun, addictive pop!

Famous Mammals: we head to Oakland, California, now to discover this combo of lo-fi pop. They released a self-titled EP last month and it is still available. It comes with 10 songs of bedroom pop goodness, an amateur-ish vibe that can easily win over your heart (and ears).

Amor Butano: now I am checking the Madrid based label Jeanne D’Arc and I discover a few things. The first one is a cassette titled “Benimaclet” by the Valencia band Amor Butano. The tape, which is still available, has 4 songs of fun straight up wavey synthpop. Good summer music.

Perdón: the next one I wanted to tell you about from Jeanne D’Arc is the band Perdón from Murcia, Spain. They have a tape also. It is called “Te Invito a mi Fiesta” and it is an 8-song album. This one is much more an indiepop record. With male/female vocals, fun melodies, catchy choruses, you know, all the stuff we like! The band is formed by Arturo, Irene and Leyre, and of course I will keep an eye on them!

Dismal Plight: our friend Gustav from the fantastic Salt Lake Alley has another project that you should know about. That’s how I want to end the week! Presenting you the two songs he has on Soundcloud as they are really good, especially “A Man Who’s Already Drowning” which I think is terrific! The other song is good too, “I Want to Take You There” but it is much less indiepop, more of a post punk song. So give them a listen, they won’t disappoint.

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After I wrote about the Swedish band Violett my friend David shared with me yet another wonderful demo tape from Sweden, Alexis’ “…In Sun” from 1995.

I looked for more info on Discogs but it is not listed there. But I can tell you a few details about this Swedish band and maybe you can help me fill in the rest.

The tape released by Clown Productions, the same as Violett (!), had 5 songs, “Afternoon Tea”, “Barbie”, “Sunny Side Up”, “Meadow” and “Sunbeams”. As mentioned it was released in 1995 and that same year was when the band recorded and mixed the songs at Studio Mary in Ystad. Oh! Ystad again!

Right, so there is a connection between both bands! So in Alexis all songs are by Daniel Permbo while the music is by Mårten Cervin (with the exception of “Sunbeams” which is by Cervin and Dan Lindgren). Okay, these three are the same band members as in Violett! The Violett tape is also from 1995. Why did they have two different bands?!

This is truly a mystery to me. On the sleeve of the tape we find what each of them played on this tape.

M. Cervin: lead and backing vocals, guitars
D. Lindgren: bass, backing vocals on “Barbie” and grand piano on “Sunbeams:
D. Permbo: drums and percussion

All of them are credited for keyboards, handclaps and fingersnaps. The design of the sleeve is credited to the band and the oil painting for the sleeve to Daniel Permbo.

In my post about Violett I mentioned some of the stuff I found about the band members, but I’ll add them here just in case!

I look for the band members then. I believe Mårten has been playing keyboards with a singer songwriter called Fredrik Larsson as of late. I don’t find any music related projects by Daniel Permbo but I think he has his own film/animation company called DejPej Film and has made this cool video about the city and Wallander! Even cooler he used a Sambassadeur song as background music for the video. Class.

No more information. But now we know two bands by this trio. Will we find more about them soon? A third band? A fourth? This is quite interesting!

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Listen
Alexis – Meadow

09
Jun

Day 455

The Reds, Pinks & Purples: two new songs from Glenn Donaldson. That’s always good news, isn’t it? The most prolific indiepop songwriter out there I would say. The latest songs are now on Bandcamp and they are usual, full of jangly power. Check them out, “Dull Panic & Sunday Gloom” and “I Almost Changed”.

Mad Honey: this three-piece formed by Tiff Sutcliffe, Branden Palesano and Austin Valdez hails from Oklahoma City. They make some sweet dreampop as you’ll be aware from their latest digital single, “Good Grief”. The band seems to have been around since 2018, so I need to check out their back catalogue.

Airu: time ago I had recommended some songs from this Bilbao, Spain, band. Now I have to recommend a 7″ that will be out on June 14. The two songs on this fine slice of plastic are “Con las Ventanas tan Grandes me da Vergüenza Mirar” and “Voy tan Deprisa”.

The Umbrellas: Many say this is pop perfection, and it might as well be! Slumberland is releasing the band’s debut album on August 6th and we’ve already heard the song “She Buys Herself Flowers”. But we hadn’t seen the video. At least until now! So have a look!

HANN: and here is another two song, it seems this is the way to release digital singles too. It makes sense. Why just the one song. HANN hails from Manchester. HANN is a band but is also Hannah. The two songs in this latest single are pretty good, poppy, catchy, fun and with an edge. They are called “Daddy’s Drugs” and “Essential Travel Only”.

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Yet another band that released just one 7″ and disappeared. How many of them are there?!

Sons of Shane released the “Fly” 7″ in 1987. It came out on Whippet Records (WHIP 1), probably their own label. The A side was “Fly” and the B side was “All I Had”. I’ve only heard the A side which is a fine slice of indiepop.

The cover art shows a huge pigeon and some people walking in the background. On the back of the sleeve there is not much info. There is an address, 116 Galton Road, Bearwood, Birmingham. As I am curious I have Googled it. It is a two floor house with a light blue door. Looks nice. It is sort of close to Birmingham center, about 30 minutes on train.

On Discogs there are no other releases listed nor compilation appearances.

The name of the band may have been inspired by:

MacShane was also the name given to the group of sons of Shane “An Diomas O’Neill”, Prince of Ulster, Lord O’Neill, and Chief of all the O’Neill clans from 1558-1567. When he died, his ten or more sons were spread out among family within Ulster and Scotland. In the early 1580s they regrouped and for nearly a decade battled with their O’Neill cousins for dominance of Ulster and their father and grandfather’s estate, the Earldom of Tír Eoghain. The English officials used the term “the Mac Shanes” (the sons of Shane) as an all encompassing term to describe many sons that made up this army in Ireland.

Or maybe not.

The only other info we have is that both songs are credited to someone with last name Wilson.

I hit a wall quite fast. I can’t seem to find any more info. One thing though, this blog, your always reliable Cloudberry Cake Proselytism, has a mention of the band. When I interviewed the Subtonics many many years ago, I asked them for any bands that they liked. They mentioned Sons of Shane. They say they hailed from Stafford. That is not close to Bearwood. That is even much further north of Birmingham, actually in between Birmingham and Stoke.

The Subtonics also give us a name, Deryck. He was in Sons of Shane and also played keys on some Subtonics recordings. And that the Subtonics suggested to join forces with Sons of Shane to create a label but they declined.

Well, any other details would be appreciated! Oh! And I need a copy of this 7″, anyone able to help?

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Listen
Sons of Shane – Fly

08
Jun

Thanks once again to Ian for this interview!! Just a few weeks ago we did an interview about The Clamheads and we know that the band reformed in the mid-90s under the name Borgnine. So this is like a 2nd part of that interview, here we talk about this 2nd period of the band and it is great as there is so little info about this period, even less than the 1st period of the band! The band released an album on CD called “None the Wiser” that is worth tracking down!

++ Hi Ian! Thanks so much for being up for another interview! How are you? Any plans for this summer?

A week on the coast in Northumberland (north-east England), bleak and very beautiful. At the moment there’s not much point planning foreign travel.

++ We were talking about The Clamheads last time, which was almost the same band as Borgnine as I understand it. But there was a gap in between the two bands. You were telling your time then was mostly oriented to family. But what about the other band members, did they continue making music?

I don’t think they did. For a while I played guitar with an Oxford group called Arthur Turner’s Lovechild, who are local legends. They were formed by Mac who was an original Clamhead with Matt. Great group but it was Mac’s thing, not mine. I had two small children and very little money, it was quite a difficult time.

++ In 1995 you feel that you want to be in a band again and you all reconvene. And suddenly you see that there is another band in London called Clamhead. I still think The Clamheads is different to Clamhead, was it an easy decision to use a different name? Why not continue with the one you had?

Now I think we should have continued with The Clamheads, but I don’t remember discussing it much.

++ I haven’t listened to Clamhead at all, were they your cup of tea?

Never saw or heard them.

++ You choose to name yourselves Borgnine after the actor Ernest Borgnine. Were there any other options that you considered?

Lots of really terrible options. Finding a good group name is hard.

++ I feel in 4 years, what lasted the gap between The Clamheads and Borgnine, Oxford/London must have changed a lot. Also musically indiepop wasn’t fashionable at all in the mid 90s. What were the main differences for the band between the 1st period and the 2nd period? Were there less like-minded bands? Less places to play? Or did it change for the better perhaps?

Late 80s/early 90s the Manchester/Acid/Baggy groove was the thing, then when we reformed it was the Britpop era, but we never tried to ape any of those scenes. There weren’t many contemporary groups we liked, maybe Teenage Fanclub and the La’s.

++ Speaking of like-minded bands, were there any bands in London you were fans of then, or friends, bands that you would like to share gigs with?

No, we were quite secluded really, we didn’t feel any particular affinity with anyone. Probably not a good thing tbh.

++ Did the creative process change for you? Or was it the same as in The Clamheads? Where did you usually practice now?

Same as before, Matt or I would come up with a song and we’d try it, if it sounded good we’d keep it. We rehearsed in the basement room at Mike’s house in central London, that was great because it was so easy.

++ Under the name of Borgnine you released an album called “None the Wiser”. There is no information about this album on the web. How many songs did it have? Who released it?

You’ll receive a copy soon!

++ Where was the album recorded? Did you produce it yourselves?

Partly in Croydon, partly in Dungeon Studio in Warwickshire. We produced it with help from the engineers.

++ Was there interest from any labels?

Yes there was but we were too disorganised to follow it up.

++ Were there plans for any other releases?

That would have been nice but we stopped just after NtW was released.

++ Aside from appearing on the “Sound of Leamington Spa Vol. 7” compilation you appeared on one called “Here Comes Everybody – A City Fathers Collection”. This record seems like something I should get as it includes a family tree of the bands there… all Oxford bands. Was wondering who put this compilation together and if you were familiar with all of these bands?

That’s weird, I didn’t even know about that but just looked it up and I know all the bands! I’ll see if I can locate a copy, should be possible.

++ Immediately after the release of the album the band split. How come? Why didn’t you wait a little bit longer?!

As I said, we didn’t split, we just stopped. I had too many other responsibilities to make it work. I don’t regret that, kids come first. Nothing to do with drugs and debauchery I’m afraid! Or maybe there wasn’t enough drugs and debauchery 😉

++ And there was a reunion in 2005, how was that? Was that the last one?

That was fun, and we did another in 2017 at a friend’s birthday party. I would have liked to do more, the vibe was there and we were and are still friends.

++ I think my favourite song of yours might as well be “Everything You Need”, wondering if you could tell me what inspired this song? What’s the story behind it?

That’s one of Matt’s, I’ll ask him.

++ If you were to choose your favorite Borgnine song, which one would that be and why?

I can’t be objective about my songs so I’ll say Things That Stop Me Sleeping, that’s one of Matt’s.

++ What about gigs? Did you play many in this 2nd period?

Yes quite a lot, mainly around Oxford. There was a good scene there at the time.

++ You played again in France, right?

Yes in 1996. The others don’t remember it but video evidence exists! I’ll get it digitised and put it on YouTube.

++ Did Borgnine get more radio or press attention compared to The Clamheads?

Yes, some good reviews in the Oxford music press.

++ Looking back in retrospective, what would you say was the biggest highlight for Borgnine?

Playing in France, for sure, I loved it every time.

++ You told me about some hobbies you have, and you were telling me you are learning Arabic. How is that going? Must be very difficult! What made you choose to learn that language?

It’s very hard! I can just about recognise the alphabet now. French is my subject and there’s a substantial shared history between France and the Maghreb countries, and a significant population of North African origin in France, including some of my best friends. Also possibly because I can’t yet read it, I love the appearance of Arabic script, and the way it feeds into Islamic art which tends not to use representational imagery. Being able to read it might spoil the effect, beautiful script might just be saying something like ’no parking’!

++ You were telling me too you were a football fan! What team do you follow? Do you go to games often?

Oxford United, I’ve been a fan since I was 8 years old. You can’t change, it’s a life sentence! They’re not a famous team but I don’t care. I go to every home game with Angus Stevenson, guitarist in the Relationships, previously in the Razorcuts and legendary Oxford group Here Comes Everybody. Phil Selway from Radiohead and Mark Gardner from Ride are regular Oxford fans.

++ Anything else you’d like to add?

I’m very happy to see some interest in the Clamheads/Borgnine. I still love the album and think it’s one of the best things I ever did. I’ve written 100s of songs, most of them are rubbish – that’s a fact, not false modesty – and I’m glad they were never released. I get embarrassed even thinking about some of them. However I think None the Wiser is consistently good, it was a fantastic time and the guys were and are great friends. Je ne regrette rien!

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Listen
Borgnine – Everything You Need

07
Jun

Day 453

The Umbrellas: the fine San Francisco band will be releasing their self-titled album on August 5! This is great! Their brand of jangly indiepop, classic-sounding, influenced by The Fairways, #Poundsign#, and the UK bands from the 80s, they are one band to follow. Their album will be out on vinyl and CD and you can preview now a cracking track called “She Buys Herself Flowers”.

Watoo Watoo: a new re-release by the French band is available now on Bandcamp. Their classic “Picture of a Lost Friend” EP is reissued now on a 3″ CD. This is a lovely thing if you missed the original release. The EP has 6 songs of elegant and sometimes jazzy feel. Lovely.

Riel: this duo from Argentina formed by Mora and Germán sounds pretty good. Dreamy, punchy, melodic and throw in some sweet vocals. That’s how I would describe their music in a nutshell. Their latest digital single is called “Blanco & Negro” and it is worth checking out.

Pastel Coast: On July 21 Shelflife Records is releasing the album “Sun” by these French popsters! This is the band’s second album and will be available on CD and vinyl. All 10 songs are available to check out and I urge you to do so. Their happy-go-lucky music, infused with surf melodies, works great.

Señor Kino: not too long ago I recommended this wonderful Mexican band when they released their single “Aurora Boreal”. Now the band is releasing an album also titled “Aurora Boreal” that contains 10 songs. This is a really good effort and hopefully they get a bit of a buzz with it. It is really refreshing to see many good Mexican bands appearing in the pop panorama. The album is only available digitally.

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The Irish name Muineachán derives from a diminutive plural form of the Irish word muine meaning “brake” (a thickly overgrown area) or sometimes “hillock”. Patrick Weston Joyce interpreted this as “a place full of little hills or brakes”] Monaghan County Council’s preferred interpretation is “land of the little hills”, a reference to the numerous drumlins in the area.

Yup, today we are heading to Monaghan town in Ireland to find out details about the band The Storm who released a 7″ and appeared on a couple of compilations in the late 80s!

One thing that is worth mentioning since the start of the post is that there was another band called The Storm in Ireland at the same time. They were from Dublin and appeared on a compilation called “Swimming Out of the Pool”. That’s not the same band we’ll be talking about today according to Irishrock.org. Discogs has it as the same band.

Irishrock.org, that great resource for bands from Ireland tells us some more details about the band. To start they give us the year they were formed, 1987. We know the band members too, Anthony “Swifty” Swift (vocals), Marty Smith (drums), Tony Fanthorpe (guitar, backing vocals) and Keith Corbett (bass and keyboards). The band members had previously been in a band called The Vision Fades. Marty Smith was actually the last one to join that band, it happened when the lead singer, Shaun, who was his brother, left for London. When Marty joined the band thought it was good time to change their name to The Storm.

I wonder if in the internet days they would think The Storm is a good name. Quite difficult to google!

Anyhow, as mentioned the band released a 7″. That was in 1989 and on the fine label Danceline Records (DLS 004). This 7″ included just two songs, “Raging Soul” on the A side and “Meltdown” on the B side. I don’t know much about this record but I know that Aidan Foley and the band produced both songs. They were recorded in Dublin at Sun Studios. The art was created by David Pollock.

When it comes to compilations they first were featured on the “Nationwide” (DLP 1002) compilation from 1989 where they appear with the song “Twilight Town”.

One thing that is worth noting is that it seems this song was already released on a self-released tape titled “Thee Sacred Rights of Pride” from 1988 that included the tracks “Twilight Town”, “Mother Box” and “Left Me Up to a Higher Ground”. The only other info about this tape is that it was recorded in Dublin.

Then I stumble upon something unexpected. A Facebook page! What info can we find there? That the drum kit Marty Smith used was a Pearl Export? That the guitar combo used by Tony was a Laney LC-30? That the bass combo by Keith was a Carlsbro Cobra 90?

The band played at the Baggot Inn in Dublin back in the day as well at The Venue in Derry.

One thing I discover is that the 7″ was also released on tape. The cassette version even had two extra songs, “Lost on the Highway” and “God-Zone”. Interesting. I had no clue. This is sort of rare, no? Usually there’s 7″ and 12″, but 7″ and cassette?

And that’s it. No much more info. So, we know then in total the band recorded 7 songs. Is that it? Or are there more recordings by them? How come just one 7″? And what did they do after the band split? Who remembers The Storm from Monaghan town?!

Edit: August 5th, 2021, Keith Corbett was in the K2Project, The Flicker Effect and Empire of Hurt.

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Listen
The Storm – Twilight Town

04
Jun

Day 450.

Kelly Slusher: I remember long long time ago when Kelly Slusher released a beautiful album on Elefant Records. Since then I’ve checked her music on and off. Today I am glad to have stumbled upon “Someday”, her latest song on Bandcamp. It is a pretty pop song. A classic pop song. Perfect for any mix tape you are doing. Bright and happy-go-lucky melodies with smart lyrics.

Pop Crimes: the Paris-based label Howlin’ Banana Records always have some nice music. One of their latest is a two-song 7″ by Pop Crimes. This record is available now for pre-orders and will be out on June 4. The songs included are “Up to the Moon” and “There Were Smiles”. You can preview the first one.

Moon Museum: now we head to San Francisco and we check this project that makes some terrific dreampop. Formed by Ryan Joseph, Olivia Barchard, Ian Zazueta and Aaron Hazen, they have just released a new digital single, “Contraptions”, which I totally recommend.

The Servants: now I want to share a different version of “She’s Always Hiding”. This is cool. The original way the song sounded is this one, recorded in 1985 in Wapping, produced by Adrian Borland. This is amazing really. And it will be included as a B-side on the “She’s Always Hiding” reissue on Optic Nerve Recordings.

Remember Fun: and another oldie but goodie. As you know Firestation released a new retrospective by the Scottish band Remember Fun. What is cool is that just recently the band found old super 8 footage and made a video with it for their classic song “Train Journeys”!

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I stumbled upon the 1983 video for “Wasted on Me” on Youtube and got terribly curious about the band behind it, Stormboy’s.

The video has not many views and no comments. I am not familiar also with the imagery, what town is that? There is an iconic bridge I am sure, but need my UK friends to help with that. Is it Newcastle?

The video does show two guys and the details added to the video confirms that the band was formed by Brereton Preen and David Athey. Now, on Discogs we see a different name, Ian Lightfoot for Brereton. I guess that was the name he used to use for the band?

They appear on Discogs because this song was released as a 7″. It was on the A side and on the B side. The B side was a remix though. There is an address for the band, they were based in Whitley Bay. I believe these days David lives in Orlando, Florida.

The record was released in 1984 by the label Guardian Records N’ Tapes (GRC 360). This label was headquartered in Durham, England. It doesn’t exist anymore.

Other details that are important is that the record was produced by Terry Gavaghan, who was thee owner of Guardian Studios. I guess he also owned the label?

Other musicians were involved in the song. Deborah Home did backing vocals, Gary Tawse played bass and Ian Telford the drums.

There are no compilation appearances listed.

Not much more info on the web…. so yes, any help will be appreciated!

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Listen
Stormboy’s – Wasted on Me

03
Jun

Thanks again to Hiroshi for another interview! Not too long ago Hiroshi and me talked about his previous band, The Korova Milk Bar who has just released a new 10″ which you can order from the Blue-Very Label and Sweet Nuthin’ Records. It is a great record that we should all get!
After The Korova Milk Bar Hiroshi went to be in the fantastic Johnny Dee, who got much more attention and got to release many records in the 90s. They got inspiration by the best indiepop from the UK and it clearly shows in their songs, that have perfect taste and many should be considered indiepop classics! So yeah, so excited to do this interview!

++ Hi Hiroshi! Thanks so much for doing a second interview!  This time let’s talk about your most known project, Johnny Dee! My first question has to do with that, why do you think Johnny Dee got more attention compared to The Korova Milk Bar?

G’day, Roque-san! Nice to see you again.

I think that is because so called “Japanese Neo-Aco” stands for Neo Acoustic has penetrated in Japan 1990 onwards. When we were The Korova Milk Bar in late ‘80s, it had not penetrated and only limited space. Also, in case of Johnny Dee, because was able to release on vinyl.

++ How was your town at the time of Johnny Dee? Where there now more pop bands? Perhaps more places to play?

At that time, I lived in Fukuoka, the city in western Japan, and there were some such guitar bands and club scene. Besides us, Instant Cytron, etc. We also played several times in Fukuoka. Originally, since Fukuoka was popular for rock music and great rock bands, so was called “Liverpool in Japan” Therefore there are some places to play in this city.

Fukuoka’s band called “Mentai Rock”:  e.g., Sonhouse, Sheena & the Rokkets, The Roosters, The Rockers, The Mods

++ How did you all meet? How was the recruiting process?

Most of us were ex-The Korova Milk Bar. After that, Tsuyoshi and Sho joined the band as new member. We met through music or friends.

++ What about the other members of Johnny Dee, had they been in other bands previously?

They belonged to other bands. I and guitar, Yusuke had been in the same bands.

Actually Asako Koide-san from Eikoku Ongaku(英国音楽) wrote our family tree in a liner notes inserted in the 10” vinyl of The Korova Milk Bar will be released the end of May in 2021. Please kindly refer to it if you possible!! (sorry, in Japanese though …)

++ What instruments did each of you play in your songs?

Members other than me were able to play most of instruments. I was in charge of the vocal melody and lyrics. When recording, the songs wrote themselves were played by themselves. Tsuyoshi and Yusuke were good at so called “Neo-Aco”. Seiji wrote some anorak songs.

++ How was the creative process for you? Where did you usually practice?

Before the gig, we were in studio, but sadly we lived in different city, so couldn’t practice much.

++ What’s the story behind the band’s name? I suppose you liked Johnny Dee’s fanzines and The Chesterf!elds?

Exactly. Named after the writer of Melody Maker magazine. He’s sung by The Chesterfields, right?

++ Did you ever meet them?

Yes we did. We’ve done a gig with The Chesterfields and TV Personalities in Fukuoka in ‘90s. Then we played TVP’s “Part Time Punks”. Although I changed to the title “Part Time Mods”.  The Chesterfields members were so bright people and nice guys.

++ Who would you say were influences in the sound of the band?

It’s a lot of bands. About Johnny Dee, The Smiths, Orange Juice, Aztec Camera, The Go-Betweens, Friends Again, Lotus Eaters, EBTG, Max Eider, Prefab Sprout Andy Pawlak, and The Hit Parade. Of course, we were influenced the other obscure UK bands.

++ And I also was wondering, do you prefer English or Japanese for your songs? What comes easiest?

I believe English is more suitable for such sounds. Because it made from the UK and US.

And either languages are very difficult for us.

++ Your first releases came out on the fine label Vinyl Japan. How did you end up signing with this label? And how was working with them?

I gave them our demo cassette tape. They immediately liked it and released a 7” single.

At an event of Vinyl Japan, we did two gigs those days. One is TVP’s & The Chesterfields, the other one is Saturn V and Carousel. So, two years ago, played with The Monochrome Set and The Catenary Wires. At this time, we had Mayumi Ikemizu, Three Berry Icecream (ex-Bridge) play accordion and chorus. It was very fun. We all were very nervous though. (lol)

++ Your first release was the “Motorbike Loves You… EP” that came out on vinyl and CD. I guess this is a question I ask often, but do you have a preferred format for music?

I absolutely prefer vinyl. Such as old vinyl coating, flip back, and the smell of record jacket particularly. In a nutshell, we were definite a vinyl geek.

++ I enjoy this record a lot. All the songs are wonderful. You produced the record yourselves. How was that experience? And where were these songs recorded?

That’s right. It’s self-produced. Recorded at members home and mixed by the members.

We didn’t have enough time because the release date was approaching.

++ I feel the song “Goodbye My Favourite Girl” is like a 2nd part of The Hit Parade’s “My Favourite Girl”. Is that what you were trying to do?

Bingo! I was listening to The Hit Parade well and was keen on their sound.

++ Oh and who took care of the art for your records on Vinyl Japan? They all look so cool, bold, very pop!

It’s Seiji and I. We had a lot of cool records, so influenced by them.

By the way, regarding “Motorbike loves you”, I was inspired from BAUHAUS “Telegram Sam” and The Flatmates “Happy all the time” with Twiggy.

++ It only made sense that you would release a split CD with The Chesterf!elds in 1994. That must have been exciting. I have two questions about this release which is on my wishlist for years…. one is that you thank Psycha-Go-Go. Who were there? And second there’s a song called “I Wanna Bang on the Drums”. I am right to think you were into The Stone Roses then?

First of all, Psycha-Go-Go are Seiji’s band who were members Johnny Dee and The Korova Milk Bar. My brother also was this band. Secondly, of course I pretty loved The Stone Roses, but probably aimed anorak sound like The Vaselines. In terms of lyric, I quoted from Tot Taylor. I believe you are super maniac because even I forgot about this song.

++ Then you released the wonderful album “Love Compilation”. I love how you keep showing your love for your heroes. Like in this record you have a song “Why I Like Max Eider” for example. I have to ask what other musical heroes you have. If we were to do a top 5?

It’s David Bowie, Paul Weller, Ian McCulloch, Morrissey and Roddy Frame.

++ You covered The Go-Betweens on this record too, “Bachelor Kisses”. Such a beautiful song. I wonder did Johnny Dee also do other covers normally? Maybe when playing live?

We covered in live such as ‘Falling and Laughing” Orange Juice. “Start a War” The Pale Fountains, As mentioned earlier, “Part Time Punks (Mods)” TV’s, and “Big Pink Cake” Razorcuts. Two years ago, when we were at live with The Monochrome Set, played ”Alphaville” intro~”My face on fire” Felt.

++ One thing that always confused me is the title of the album, why “compilation”, is it in any way a compilation?

Good question! Because it’s not total album. Songs with different tunes are mixed in the album. Thus, It’s a compilation. I wish I could release a total album someday.

++ Many years after, in 2001, Sofa Records from Hong Kong, released the “1995 Unreleased EP”. Why did those song remained unreleased until then? And how come a label from Hong Kong picked this release up?

I’m not sure, but Bruno-san, Sofa Records offered us about this. They are so maniac label like you and was very kind. Speaking of which, we provide our unreleased song to Shelflife Records in US.

++ Also one thing I notice is that in this EP Johnny Dee is just you and Tsuyoshi. How come the band were just two people at this point?

I don’t remember well, but because the other member moved the other city.

++ And lastly two songs showed up in 2019, on a new 7″ released by the Blue-Very label. These songs were “Hey, Gentle Girl” and “The Blue Girl from North Town”. These were previously released songs, right? How come it was decided to re-release them and on vinyl?

You are quite observant. As for “Gentle Girl”, I wanted to release as a second single in those days. So, released 7” with “Blue Girl” like the most at Johnny Dee’s numbers.

++ I am familiar with most of the compilations you appeared on but one called “Future Chic” released by Automatic Kiss Records. Do you have any info about this label or this release?

This is our the first recording. Automatic Kiss is an indie label in Fukuoka I live. They were exploring local and international bands. Label owner, Habu was friends of mine. After that, he moved to Germany. They were involved in obscure label, Leamington Spa.

++ Are there more unreleased songs by the band?

Not so much.

++ I think my favourite song of yours might as well be “Motorbike Loves You’”, wondering if you could tell me what inspired this song? What’s the story behind it?

What I remember is that regarding guitar, maybe inspired by Johnny Mar, Rody Frame and Paddy McAloon. Bass sounds like obviously Andy Rourke. Girls chorus melody inspired by Tracy Thorn. About song title probably inspired by “The Girl on a Motorcycle”.

++ If you were to choose your favorite Johnny Dee song, which one would that be and why?

It’s ”Motorbike loves you” or “Hey, Gentle Girl” . We may not be able to make more than these two songs anymore.

++ What about gigs? Did you play many?

I think we’ve played about 5 times. Two of them, we did support acts for international bands.

e.g., Saturn V & Carousel, TV’s & The Chesterfields

++ And what were the best gigs you remember? Any anecdotes you can share?

Unfortunately, It’s nothing. We don’t have much fun memories because we were always so nervous.

++ When and why did Johnny Dee stop making music? Did you continue making music with other projects?

We were offered from two major labels, but it didn’t work well. After that, I formed The Palm Songwriters with Seiji (ex -Psycha-Go-Go). Tsuyoshi formed 101 Dalmatians.

I and Tsuyoshi also formed Johnny Johnny and released 12” by the Bananafish records.

++ What about the rest of the band, had they been in other bands afterwards?

Tsuyoshi, Sho and Seiji had been in some other bands.

++ And then there’s been some reunions, right?

In terms of Johnny Dee, had just one gig in Tokyo two years ago by Vinyl Japan.

++ Was there any interest from radio? What about TV appearances?

I’ve appeared on radio, but I was not keen on either.

++ What about the press? Did they give you any attention?

There were some interview on magazines.

++ What about from fanzines?

We had some interviews from fanzines. In those days, there were many indie fanzines in Japan. Especially “Eikoku Ongaku” (英国音楽) in ‘80s was the most important fanzine in Japan. I believe, thanks to “Eikoku Ongaku”, Japanese NW indie scene has accelerated and transformed obviously.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

That is the release of 1st single, “Motorbike Loves You”.

++ You were telling me that aside from music you like fashion. Was wondering if you ever considered or worked in that industry? And if you were, what sort of thing would you like to do?

I’ve never worked in the apparel industry. I’ve been working at international IT company.

I love the new wave fashion anyway, but I’ve never ever thought of working in the at Apparel industry. I think it’s just better as hobbies. Like we used to imitate Punk from Johnny Rotten, Mods from Paul Weller, Ska from Jerry Dammers, Goth from Robert Smith and ‘50s used fashion of Morrissey.

++ And one random question about Japanese culture, here in the West many people are fans of manga and anime. Are you too? Do you have any favourites?

Unfortunately I’m not interested in anime, but I’m keen on “Attack on Titan(Shingeki no Kyojin) and “Kingdom” nowadays. I absolutely recommend this two anime !

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Listen
Johnny Dee – Motorbike Loves You

02
Jun

Day 448. A difficult weekend, my phone died. It feels very strange not to have one. So used to it. Like you lose a limb. Hopefully I should have a replacement phone by the time I am publishing this. Hopefully. Then add all the apps and set up anything that needs setting up. I probably lost a lot of information and files. But well, what can you do. Tough luck.

The Suede Crocodiles: One of the best indiepop songs ever is “Stop the Rain” by The Suede Crocodiles. Who can’t argue that. The Glasgow band that was fronted by Kevin McDermott has now a Bandcamp page. Also on this same page you can find all other projects and recordings by Kevin which is great as I was unaware of them. So there’s lots of listening here. Would be a good idea to do a Suede Crocodiles interview, right? Should try soon!

Robert Scott: The Bats’ Robert Scott also has a Bandcamp now. In there we find both albums by The Magick Heads (which are wonderful!) as well as other recordings. But there’s also a new record called “Level 4” which is a collaboration between him and Dallas Henley. It is a bit different to what one is used but quite enjoyable, especially for a rainy day like today.

Lazy Eye: the Pelambang, Indonesia, band has been making some pretty tunes in the last few years. I can’t remember when was the last time I recommended them. Probably last January? Well, today is also a good time. I found out they have a new song called “Polaris” which is really pretty. Dreamy, poppy, chiming, good all around.

Río Arga: I love this Spanish band from Pamplona. They make terrific songs. And it is great news they are releasing a new album called “Piscina y Lagos”. Sadly it is coming out on a label that has been problematic for me. But you may have had better communication, better experience with Caballito Records. I guess in the end what matters is the music, and that’s why I keep recommending them, because they are favourites for sure. The album is coming out on 12″ vinyl on June 9 and will include 8 songs. You can preview two songs now on Bandcamp.

The Umbrella Puzzles: and we finish today’s review with Ryan Marquez’s lovely project. Here he presents us 4 acoustic recordings, an acoustic session he has called “All Our Friends”. This set was recorded for Alternatrip’s All Our Friends Online Music Festival on May 29. The songs are very nice, as usual, influenced by the BMX Bandits, right? And a cover of The Steinbecks!

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We return to Sweden, to the CDR days of early 2000s. Great times. Great memories. A period I miss a lot. And I am sure many of you do too.

The Winston Solution was a band from Göteborg. There is not much information on the web, but there are a few things we can say about the band. We can say that the band started in 1999 by Erik Jonsson and Jonas Lundvall. They previously had been in a band called Odd Man Out.

Their home studio was called PlayNow. It was there that they recorded their songs. As far as I know there were three demo CDs released. The first one dates from 2001 and was called “Nine Wrong Songs”. The songs on this CDR were “I Know I’m Wrong”, “Read Between the Lines”, “The Magic of a Shy Conversation”, “Empty Streets and City Lights”, “The Look in Your Eyes”, “The Story Ends When the Paper is Full”, “Sister” and “Is this Real?”.

The 2nd CDR was called “Good Things Will Come to Those Who Can’t Wait”. This one was released in 2005. I don’t know the track list for this one. I know the name of some of the songs, “It’s Easier to Say”, “Jenny Fame” and “Left Hand Writing”.

The third one was called “The Diplomat EP”. Again, don’t know the tracklist but songs names were “I Don’t Know What I Would Have Done Without You” or “Make a Plan to Love Me”. I think it was released in 2008 but I could totally be wrong.

On Discogs they only appear listed on a compilation CD called “CD 7 2008” released by Groove (GROOVE0807). On this comp they appear with the song “History Book”.

The only other detail I could find was that the band played at the Malmö festival “We and You” in 2003 that was organized by Revolution 9, a fanzine from that time.

I don’t know if this actually covers well everything they released. There might have been more CDRs. There were definitely more songs, having a look at Last.fm tracks, I see some that I don’t know where they were released like “Your Boyfriend Does Not Understand”, “Photographs from a Broken Planet”, “Consider Me in Love”, “Nothing is Natural Only Impossible”, and many more.

I know that Jonas Lundvall was later in a project of his own called Klifton Filente.

So yeah, who remembers them? Whatever happened to them?

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Listen
The Winston Solution – It’s Easier to Stay

01
Jun

Thanks so much to Nick, Linda and Maria for the interview!! I wrote about the Manchester 80s band Magic Roundabout on the blog a month ago. I was surprised that there was a 7″ out and an album announced for later this year of a rather obscure band! I didn’t know any details about the band and was surprised by the quality of their songs. They were so good! How come they are obscure? I didn’t undertand. Anyhow, I was lucky that Nick got in touch and organized this interview. It feels great to know more about them now and can’t wait for their album!

++ Hi Nick! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Nick- I’m fine thanks. Yes, I’m still involved in music though at the moment interest in Magic Roundabout is taking up most of my time.

Linda- Yes.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Nick- Gosh, first musical memories? I guess listening to BBC children’s radio at weekends in the 1970s, songs like Puff the Magic Dragon and My Old Man’s a Dustbin Man by Lonnie Donnigan, similar to most people my age in the UK probably. I consider myself a non-musician but my first instrument was the tuba. I heard a lot of my mum’s 60s pop growing up, Rubber Soul/ Sgt Pepper, Terry by Twinkle, Jenny Artichoke by Kaleidoscope that sort of thing.

Linda- I used to get up at 6am aged 3 and play records. Doris Day children’s album and whatever my family had. The Carpenters, Burt Bacharach. When I was 6 I got into watching a Beatles cartoon. I got a guitar when I was10 years old. When I started big school at 11 I got classical guitar lessons. I joined a choir aged 13 and learned to sing harmonies. I played and sang with my best friend Joanne in her bedroom mainly The Beatles songs and sometimes songs from musicals I was learning at school. 

++ Had you been in other bands before the Magic Roundabout? If so, how did all of these bands sound? Are there any recordings?

Nick- no Magic Roundabout was my first band. Me & Paul imagined that we were in a band from probably about 1984/5.

Linda- Yes I was singing in a punk band called Xon Mombasa we did mainly covers of Sex Pistols, The Stranglers and a few original songs. I sang and played regularly at folk clubs from age 15.

++ Where were you from originally?

Nick- I’m from Salford.

Linda- I am originally from Horwich near Bolton.

++ How was Manchester at the time of Magic Roundabout? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Nick- Manchester in 1986 & 1987 was as pretty grim. There were loads of bands that we liked back then like J&MC, Shop Assistants, My Bloody Valentine with Dave Conway singing, The Pastels. We were massive VU fans. It was a bit of an in-between time in Manchester then, Joy Division were from a different generation & rave hadn’t really happened yet.

We loved The Fall. We liked King Of The Slums & Dub Sex both great under rated Manchester bands.

I remember buying singles from Picadilly Records & LPs from Affleck’s Palace. The main venues we saw bands at were the Hacienda, The Boardwalk, The International and the University but there were lots of little gigs in odd places back then as well.

Linda- Manchester was great I bought from Piccadilly Records but also a local record shop in Horwich. I’d buy a 45″ most weeks. Usually goth music, punk stuff. I loved the International and The Boardwalk live bands were high on my agenda.

Maria- The Fall, The Chameleons, Inspiral Carpets. Piccadilly records, Eastern Block records. The Boardwalk was a great place to check out new bands.

++ How did you all meet? How was the recruiting process?

Nick- I’ve been friends with Paul since school. Paul met Linda on the bus told her he had an imaginary band & that’s how the band started off. I think I first met Nicola & Maria when we all went to see The Shop Assistants supporting J&MC in Blackburn, a year later we played our first gig. Karrie joined the band in summer 87.

Linda-  I was on the bus going to Art College in Bolton and met Paul. Paul said he and Nick wanted to form a band. I offered to be in the band as Paul and Nick were new to playing. It took a while for us to get our sound. But we got recording a few months later.

Maria- For me I think it was something to do with Bolton Art college? all a blur I’m afraid.

++ What instruments did each of you play in your songs?

Nick- We were supposed to be, Linda- vocals & guitar, Paul- bass, Nick- drums, Nicola & Maria- tambourines, when Karrie joined, she played violin & guitar. We swapped instruments around live & in the studio on some stuff, so on side two of the LP it’s actually me & Maria playing guitars and Linda & Paul playing bass & drums.

Linda- I sang, played guitar but we did swap around on live gigs.

++ How was the creative process for you? Where did you usually practice?

Nick- It was pretty quick, I’d write the lyric, Linda & Paul would work out some music and we’d play & practice it. We probably had about 20 or so songs but we must have got bored with playing them pretty quick. Up, one of our best songs I think we only played live once or twice because we were busy moving on to something else, which seems a bit daft looking back.

We rehearsed at The Boardwalk from late 86 & because of that we got in there to see loads of great gigs for free. I think we stopped rehearsing by summer of 87 pretty much.

Linda- Nick usually had written lyrics so I would write the chord progressions and melodies. Paul would write the basslines then we’d thrash it out and arrange it a bit more.

++ What’s the story behind the band’s name?

Linda-  I remember watching the children’s TV show but I don’t remember why we stuck with it?

++ Who would you say were influences in the sound of the band?

Nick- We were all massive Velvet Underground fans, I still think White Light/ White Heat is maybe the best LP in the world. But Shop Assistants, early J&MC, a lot of C86 as well. We’d been big Bauhaus fan & Cocteau Twins fans.

Linda- I liked a wide variety of bands at the time. The Velvet Underground was high on the list as was Jesus and Mary chain. 

++ I was really surprised to see you being released after all these years, out of the blue. From what I understand Ian Masters from Pale Saints shared your demo to Third Man Records. Were you friends with Ian? Or was it just a surprise all around?

Nick- I think Ian approached us after a gig we played in Leeds supporting Loop, I’m not sure we swapped any tapes then but we’ll have swapped addresses and I’ve been friends with Ian ever since. I suppose Ian has always from time to time suggested we should do something about releasing the recordings. Ian did a great version of Carol in Your Eyes around 2019 which I think maybe got us thinking, but the impetus behind putting the LP together probably came after I retired as a nurse about a year ago and had more time to try and put things together. The LP was originally going to be released on Ian’s Onkonomiyaki label but we were having some problems with the mastering stage. Ian’s friend Warren DeFever is a mastering engineer at Third Man which is how Third Man got involved. Ian very graciously encouraged us to go with Third Man to get a wider exposure for the music. It was Dave Buick at Third Man who had the idea of the single which we wouldn’t have had the money to do ourselves.

Linda- Nick was mainly friends with Ian and had kept in touch. I have worked with Nick so knew about their friendship.

++ You released a 7″ earlier this year with two songs. And the plans now is to release an album worth of songs. I’m wondering if between both releases all your recordings will see the light of day?

Nick- There are some recordings that aren’t on the single or LP. But their quality is too poor to do anything with, stuff recorded onto a 1980s boombox, live gigs & practice recordings, a couple of rubbish demos, some 4 track home recordings from 1988 before we split up.

Linda- We have some poor recordings of other songs which I’m not sure will be put out.

++ A video was released to promote “Sneaky Feelin'”. Where was that footage taken from?

Nick- We made the video in April 1987 in Stockport. The details of how we ended up doing the video are a bit vague but it was essentially a scam. A film crew would film a pretty rubbish video of an aspiring band & would expect that band to pay £800 for a copy of the video & some promotion that wouldn’t happen. £800 was an amazing sum of money then.  A couple of years later I met one of the film crew and he said we were the only band that got out of there with a copy of a video and didn’t pay for it. We were pretty fast talkers then & asking £800 from us was a laugh. We thought we’d lost the video cassette long ago, but Paul found it in his attic about a week before the single was due out.

Linda- Nick mentioned Stockport but I seem to recall we were out towards Glossop way in some out of the way place.

++ Do tell me where did you record the 7″? Who produced the songs? 

Nick- Sneaky Feelin & the tracks on side one of the LP were all recorded at the Kitchen, which was a studio in a converted flat in Charles Bury Cresent in Hulme in Manchester. The guy that ran the Kitchen & engineered was called Jamie, a lovely, friendly guy. I guess we produced it ourselves. The second side of the LP was recorded at the Mill in Aston, Manchester which was Clint Boon’s studio, we’d become friendly with Clint (Inspiral Carpets) & his studio was a bit cheaper & had more amps & organs in it.

Linda- we recorded at The Kitchen in Hulme with Jamie.

++ Was it the same place and producer for the album?

Linda- Yeah apart from Alice’s Paper plane.

++ The 7″ has a fun photo of you all. Wondering where was it taken? Looks like a playground?

Nick- A park in Bolton, I think. We were lucky that Linda & Karrie were into photography.

Linda- Queens Park Bolton. Karrie took the picture. Nick was on some springy seat in a children’s playground.

++ The B side of the 7″ is “Song for Gerard Langley”. I suppose it is Gerard Langley of The Blue Aeroplanes. Why did you dedicate the song ton him?

Nick- We played our first gig supporting the Blue Aeroplanes & they were really nice & encouraging to us, we’d never heard their music before that gig & they were brilliant. Spitting Out Miracles is a great LP. Gerald was one of the characters in Alice’s Paperplane who’s poetry Alice admires, and of course he is also Gerald Langley in real life.

Linda- We did one of first gigs at The Boardwalk supporting The Blue Aeroplanes.

++ So when is the album coming out? Are there any details you can share? Name? How many songs?

Linda-  Summer 2021

++ Where do the songs of the 7″ and album come from? Various demo tapes? Is there a chance that we could do a demography?

Nick- Maybe, at a later date, we’re still having some lost songs reappear.

++ How come there were no releases of yours back then? Were there any interest from labels? Did you consider self-releasing?

Nick- I’m not sure we sent many demos to labels, we used the early demos to get gigs mainly, initially we were recording tracks for flexi-discs that ended up not happening. A think we recorded Carol In Your Eyes for a proposed single. We had no money or know how to self-release then.

Linda- We didn’t seem to chase any record companies. It was a rollercoaster at the time.

++ Back in the day one song did get released, “She’s a Waterfall Part 1” and “She’s a Waterfall Part 2” I’ve never heard these songs. Are they the same? Similar? Why the name with two parts?

Nick- Two different versions of the same song. I’m not sure why they’re called parts 1 & 2 on the tape.

Linda- We had a slow version and a faster one.

++ And how did you end up on this compilation put together by Mark Webber from Pulp?

Nick- We became friendly with Mark Webber, he promoted gigs in Sheffield & possibly ran the Pulp fanclub at that point. He may even still been at school then. He put us on a lot at his Take Two/ Cosmic Joy nights. We were all pretty young then, I’d just turned 19 when the band split up.

++ I believe another song was released too, “Talk About You” on “Piranhas in the Canal”. This was a compilation put together by the St. Helens Musicians Collective. Were you part of that collective? Or how did you end up there?

Nick- Not us.

++ I think my favourite song of yours might as well be “Sneaky Feelin’”, wondering if you could tell me what inspired this song? What’s the story behind it?

Nick- Oh, I can’t remember! It had been pointed out to us that all our songs till then were verse/ chorus, verse/chorus, so that was the first song we tried to stretch ourselves a bit.

++ If you were to choose your favourite Magic Roundabout song, which one would that be and why?

Nick- I like them all really. But Carol In My Eyes & Up are the best songs for me. I love Alice’s Paperplane, I don’t think many bands had a song like that up their sleeves back then.

Linda-  Up I suppose. It’s about the death of Andy Warhol I feel the sadness in the recording. I loved Warhol’s art and ideas.

Maria– I like them all really Song for Gerard Langley in particular, love the flow and story to it, takes you somewhere else for sure.

++ What about gigs? Did you play many?

Nick- A handful really, we played mainly Manchester, Birmingham & Bristol. There are flyers I’ve seen for gigs I don’t remember.

Linda-  We played Manchester, Sheffield, Chesterfield, Leeds, Stockport, Bristol and Birmingham. Maybe more?

++ And what were the best gigs you remember? Any anecdotes you can share?

Nick- I think my favourite gig was at the Asylum in Manchester, I’d helped put together the bill with Spacemen 3 headlining & it was the first time we played Alice’s Paperplane. Pete Kember was always nice to us. When we asked him what he thought of our set, he said it was great but that we should change our name. We were “oh no Pete, no!”

Linda- The first gig seemed to stick with me lots of claps and cheers.

Maria- Playing a long side Spacemen 3

++ And were there any bad ones?

Nick- Plenty.

Linda- A few haha.

++ When and why did Magic Roundabout stop making music?

Nick- I guess the old creative differences, it didn’t help that we decided to live in a band house together, we were all still teenagers and not very skilled at living with each other.

Linda- We lived in a band house for a while and that drove us apart really. I played in many bands and am still doing music full time when not in Lockdown. I’ve played most types of music I also play electric bass.

++ Were you involved in any other bands afterwards?

Nick- I’ve spent the last few years in a half imaginary psych-noise band called Te Hee Objects.

Linda- No not really. Nick and I have written and worked together. Paul and Karrie have written and recorded electronically. Nicola and Maria don’t play now.

++ Has there been any Magic Roundabout reunions?

Nick- We recently reconnected with Nicola & Maria.

Linda- Not really but we are all in touch.

++ Was there any interest from radio? TV?

Nick- haha, none.

++ What about from fanzines?

Nick- Just stuff in fanzines. I know of stuff in Candyfloss, So Naive & Step Inside My Pepperpot, but there’s probably more, Nicola & Maria send a lot of tapes & letters to fanzines then as did I.

Linda- We were interviewed by Uncut magazine recently.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Nick- I think for me if you’re in a band you have to feel your band is the best in the world. Otherwise, why would you bother? Clearly, we were not the best band in the world, but at the time it felt like it to me.

Linda- Just being in the band was a huge deal.

++ Aside from music, what other hobbies do you have?

Linda- I like painting, Keeping fit and attending the gym. Learning German. Doing Reiki healing and crystal healing.

++ I have visited Manchester once, but it was too short and didn’t get to see much. I hope to return. Would like to ask a local, what would you suggest them doing here, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Nick- This is such a wonderful question! Coming from Manchester it’s impossible to imagine why anybody would want to visit Manchester if they didn’t have to. Albert Square is nice I suppose. Food would have to be chips or something potato, and beer, just lots of it is the Manchester way:)

Linda-  Afflecks Palace is great, loads of funky retro clothes and other things to look at and buy. Just an interesting place to visit. Mr Thomas’s Chop House authentic British food made without packets or jars. Real food

Maria- Walk up the little hill that leads to the Bell Tower in Heaton Park for it’s far-reaching views. Maybe go to a gig at The Ruby Lounge…great sound there. Cafe Pop is wonderful for it’s thick white buttered toast with marmite or peanut butter, they do the best cup of tea to.

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Listen
Magic Roundabout – Sneaky Feelin’

31
May

Day 446

Kevin Robertson: Aberdeen’s The Vapur Trails are a band that have been featured here in the past. Well, one of their members, Kevin Robertson, has gone solo this time around to release “Sundowns End”! It is out now on the fine Subjangle Records on limited edition CD. It includes 11 jangle popsongs, all of which are available to preview. It is definitely a good way to start this week, such a bright and shiny record.

Foreign Correspondent: another band that we like a lot here are the Australians Foreign Correspondent. On even better news they are now working with a label we love, Kocliko Records, from Spain. One of our favourite labels! So it is quite obvious what the result was going to be, right? A wonderful album titled “A Quizzical Look”! it is very limited, to 100 copies and it is expected to start shipping on June 23. You can preview two songs, “The First One” and “Crying In your Sports Car” and understand why I praise the.

Hanemoon: Jigsaw Records is now releasing the second album by the German band! Great news! The first album was really nice, and Hans’ last band, The Seaside Stars, was pretty good as well. If you like jangle pop this is for you. “Last Thing I Heard” is the name of this 12 song album that jangles like any Scottish pop bands that come to mind!

Neilson Family: Jigsaw Records have more new releases. “Be Normal” is the 2nd album by the Neilson family. I don’t know much about them, first time i am listening to them. Jigsaw compares them to Kincaid or the Mendoza Line. The record has 12 songs like my fave, the straight up poppy track “Golden Handcuffs”, and other quieter or midtempo jangle songs. Enjoyable!

The Rightovers: and last band for today is yet another on on Jigsaw Records. This one is a mini-album titled “Kruise Kontrol” and has 7 tracks. The songs are punchy, they have loud guitars and synths, they are poppy and exciting. So definitely a recommended listen. All of these Jigsaw releases are available now.

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Time for obscure pop… okay that’s a bad opening for a post in this blog. Every single band is obscure here. So ok, one more obscure band to keep in mind. One more that I hope to find more information about them!

In the 80s there was a UK label called Wag Records who released three bands, Roxette (not the Swedish band), The River Boys and Chapter One. I am not familiar with any of them, but today I want to check Chapter One as I’ve heard their song “When the Summer Comes” and I really enjoyed it.

The person behind this label was Paul Waghorn. He was also the person behind Chapter One.

There are two releases by the band. The first dates from 1984 and was a sleeveless 7″ single with “I Know That She Knows” on the A side and “Take My Advice” on the B side. On the labels we see that “I Know that She Knows” is credited to Waghorn but also to Creasey. The B side only to Waghorn. Both songs were produced by Mr. Angry. Okay, who is Mr. Angry and who is Creasey? Can we find that out? This was the fourth release on the Wag catalog (WAG4)

Two years later, in June of 1986, the band released the “When the Summer Comes…” 7″. This record came out on Wag Records (WAG5) and had three songs. “When Summer Comes” is on the A side and “Stephanie Powers” and “Girl on the Phone” appear on the B side. Again all songs written by Paul Waghorn. It is good to see that this time the band was able to have a sleeve for the record.

The sleeve has a pencil illustration of a strangely dressed person. We don’t see his face, he is not facing us. We see his back. It looks like he carries an umbrella. He has a hat. Not sure what he is looking at on the floor. Looks like a pail and a bucket in the sand? I can’t tell. The good thing is that the sleeve does give us some more information.

For example that the art was created by Stringell and Casbourne. But there’s more.

The three songs were produced by Ashley Norton at the I.C.C. Studios in Eastbourne (was the band based here or nearby?). And even better we get the band members names:

Paul Waghorn on vocals, guitar and synths, Titch Stringell on drums and backing vocals, John Hall on lead guitar and Darren Rodoham on bass,

The question about Eastbourne may be answered by the compilation “Dodgy Demos for Arty Parties! – An Eastbourne Area Compilation” released by Wag Records (BIG1) in 1985. Here the band appears on the B side with the song “Miss You Miss You” which was recorded at ICC Studios in 1984. So it all looks like the band was from Eastbourne then!

Eastbourne is a town and seaside resort in the non-metropolitan county of East Sussex on the south coast of England, 19 miles (31 km) east of Brighton. Eastbourne is immediately to the east of Beachy Head, the highest chalk sea cliff in Great Britain and part of the larger Eastbourne Downland Estate.

I’d like to visit, especially because Penvensey Castley is close and I like visiting castles.

So back to the other bands on Wag Records. We know that Paul Waghorn was also in Roxette. But couldn’t find any info of any bands he was in after Chapter One. And about the other band members there was no info either.

Also searching for Chapter One doesn’t really help. It is quite difficult.

So yes, looking for help now, anyone remembers this Eastbourne band!?

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Listen
Chapter One – When the Summer Comes