26
Aug

The first half of the 80s. This is perhaps not yet indiepop. Possibly indiepop is going to be born with the C86 tape. For other fans indiepop already exists, there’s Orange Juice, The Pastels, the Television Personalities. It depends how you understand indiepop.

For me, there are indiepop bands already in 1983-1984. But there are others that are quite indiepop but not completely. It is hard to explain. In previous posts I’ve called them proto-indiepop, like they seem to have the sound that will become indiepop but there are other influences at play at the same time.

For me Tralala is one of these bands. They are pop and have great songs.

They released three singles, three 7″s. I have the last one, “Always Close at Hand”, the only one that came with a sleeve. But there were two earlier ones, a bit more rare, worth tracking down.

Nowadays I buy very few records, so not sure when I’ll catch up with you all, great record collectors. But if anyone has extra copies do let me know.

The band’s first 7″ came out in 1983 and didn’t have a label behind it. It did have a catalog number though, YUN 02, which is a bit strange. No label but yes to catalog number?

The record was a double A sided single, with “Impeccable” on the A side and “What’s the Matter” on the AA side.

This record has a few little details. We know that the producer and engineer was Keith Nichol, who worked from Impulse Studios in Newcastle, England. We also learn that the songs were written by Kevin Ridley and Paul Laing. Ridley was from the Newcastle area, and was in bands like Forgodsake, Screen Idols, Skyclad and Theigns & Thralls. Eventually he would move to Madrid where he lives now.

Kevin Ridley has a website, but strange enough there is no mention of Tralala. I tried to track down Paul Laing, but no luck.

The band’s second single came out in 1984. This time there was a label name, Floating World, and a catalog number, FLOAT 01. Not sure who were behind this label. Perhaps it was the Impulse Studios’ people?

The single had two songs, “Room to Be Cruel” on the A side and “Overjoyed” in the B side.

That same year the band releases their last single, “Always Close at Hand” (FLOAT 02)”. The title song is on the A side and on the B side we find the track “Don’t Take to Love”.

Sadly there is no information online about the band. I am of course hoping this will change. Hopefully some of you remember them and can share some details about Tralala!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Tralala – Always Close at Hand

19
Aug

Time to head to the US today. The Goldenrods. A trio that seems to be forgotten now formed by Barry Hall and Jenny Gunston in the early 90s.

The band’s first release was in 1992. HARP Records from San Francisco would put their music out. It was a two song single, with “Barbwire Chair” on the A side and “Cagiva Elephant” on the B side. Catalog was HARP 004. 300 copies on black vinyl and 100 on yellow. I read the edition was of 500 copies, so there are other 100. There is a version of this same single with a different sleeve, maybe that’s where the other 100 copies are.  In any case, look for yourself, one sleeve has two people, a girl and a guy, walking and the band’s name in green ink, while the other shows two different people posing by the stairs. I don’t think the photos are of the band.

The record was recorded and mixed at Lowdown Studios in San Francisco by Greg Freeman. On this record Jenny sung, Barry played guitar and keyboards while Kevin played guitar, keyboards and programmed the drums. Barry is credited for writing the songs.

I check a little bit about the band members. I see that Barry hailed from Braintree in Massachusetts. He relocated to San Francisco. He was also in a band called The Cat Heads.

The band’s second single was the “Lesbian Nation & I Can’t Reach You” 7″ (HARP 011) in 1993. As it is obvious the songs on the record were “Lesbian Nation” on the A side and “I Can’t Reach You” on the B side.

Again the songs were recorded at Lowdown Studios by Greg Freeman. Greg also played tambourine in the B, “I Can’t Reach You”, side by the way. This song was a cover of The Who.

The A side was written by Barry and also featured bass by Sam Babbitt from The Cat Heads and The Ophelias. This record also features John Stuart from Flying Color and Map of Wyoming on drums, Oz on guitars and Roger Hand on piano.

The design is credited to Bhdg Sf, Ca., the cover photo to Dave Mamelka, and the model was Johanne.

In 1994 the band would appear on a Motorway Records (MOTOR 002) split 7″. On this Japanese release the band would share the single with Bubble Bus. The band would contribute the song “Prince of Edinburgh” that featured some changes in the band.  We see Alan Korn from Schematix, The Cat Heads, X-tal and She Mob on bass, John Farinacci on drums, Brian Good on guitar and Cindy Wiggington from Bedlam Rovers on violin. Again the songs were recorded by Greg Freeman at Lowdown Studios.

The band appeared on a few compilations. On the CD and LP compilation “It’s All True Harp Records… San Francisco… 1992-94” released by Big Cat (ABB 59) the band had two songs “Barbwire Chair” and “I Can’t Reach You”.

On a compilation CD called “The Moderna Wunda-Major All-Automatic Convenience Centerette” that came with the fanzine Burning the Midnight Firefly #2 that Keith D’Arcy made, the band contributed with the song “Cirque D’Amour”.  On this compilation they appear with great bands including Bomb Pops, Tree Fort Angst or even The Cat’s Miaow among others!

On another fanzine from 1994, Red Roses for Me, there was a tape called “Beyond the Valley of the Polar Bears”. On this tape the band had three songs, “Told You So”, “Prince of Edinburgh” and “Hey Jay (Live)”.

I keep looking for more info. I find a scan of the Gavin magazine from March 26, 1994. Here it mentions that the second 7″, “Lesbian Nation”, was released after the band had split already.

And lastly a very cool find! A live video! The band playing live in the early nineties a venue called Hotel Utah in San Francisco. In this live gig the band was formed by Jen Gunston, Barry Hall, Alan Korn and John Stuart. The songs they played were “Told You So”, “Barbed Wire Chair”, “Cirque D’Amour”, “Lesbian Nation”, “Gone, Gone, Gone”, “Cagiva Elephant”, “I Can’t Reach You”, “Nothing I Do”, “Pale Blue Eyes”, “Discipline”, “Lazy Ways”, “Lullaby”, “I Wrote a Letter” and “See You”.

And this is what I could find! Anyone remembers them?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Goldenrods – Barbwire Chair

14
Aug

Thanks so much to Patrick William Woodward for the interview! Billycart was a terrific but short-lived Australian band from the late 90s. Their recorded output is small, just a few songs, some of them that appeared on the “Clippings” compilation on Candle Records. One of its members, Kellie Sutherland, would later be in Architecture of Helsinki, which probably all of you know.
I wrote about them some weeks ago, and it was great to hear from Patrick and even better that he was up to fill in the blanks, answer all the questions I had!

++ Hi Patrick! Thanks so much for being up for this interview! How are you? You were telling me you are not involved with music anymore? Why is that?

Hey thank you for having me!! I am very well, living my fullest life through a cold winter here in the Southern part of NSW in Australia. Music has taken a back seat to life as a father… for now!!

++ Let’s go back in time. What are your first music memories? Do you remember what your first instrument was? How did you learn to play it? What sort of music did you listen to at home while growing up?

My first instrument was a guitar, well my sisters! I was playing it upside down but hey! She taught me the correct way in time. I listened to a lot of Australian rock/pop… Midnight Oil, INXS, Kids in the Kitchen etc

++ Had you been in other bands before Byllycart? What about the other band members? Are there any songs recorded by these bands?

Billycart was my first venture into music with my mate Kellie Sutherland. Kellie is a great friend and a very talented musician who went onto create some amazing music.

++ Where were you from originally?

I grew up in the western suburbs of Sydney about 1 hour from the city, which felt like a lifetime away as a kid!

++ How was Sydney at the time of Billycart? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Sydney in the 90’s had a vibrant music scene, on any given night you could see an amazing band! The Annandale hotel and the Sandringham hotel were my favs.. never still exist unfortunately. Billycart were lucky at the time to play these venues with some of our personally favourite bands such as The Simpletons and The Lucksmiths! The city was the place to see music.. my town of Penrith provided quality cover bands!! Not to my liking 🤣

++ How was the band put together? How was the recruiting process?

Kellie and I meet at a music festival in Byron Bay northern NSW.. We hung out then lived together and started creating music together. Was mainly just Kel and I. We had a few friends such as Ryan James and Darren Hanlon play at times!

++ Was there any lineup changes?

++ What instruments did each of you play in the band?

Kellie and I both sang, she played a mean bass and me guitar.

++ How was the creative process for you? Where did you usually practice?

We wrote most songs together, sharing lyric duties… i often came up with tunes then we would write lyrics to suit!

++ What about influences? I read that Kellie was a big fan of the Portland band Kissing Book for example. What about you?

I loved the Go-Betweens big fan!! Crowded House, Midnight Oil.. then were and still are today favourites!

++ What’s the story behind the band’s name?

Billycart the name… well at first we were called Cul de sac as in dead end street… no future there we thought! Then we settled on Billycart.

++ So I know the band through the songs that appeared on the “Clippings” compilation on Candle Records. How did your songs end up on this compilation? Were you familiar with this label? Had a good relationship?

So we arrived on the clippings compilation via Chris Crouch who Kellie and I lived with! We were such great house mates he felt it was only fair that we appear!

++ The obvious question is, why didn’t you get to release any records with them afterwards? Was there any interest from them or yourselves to do so?

I guess i feel out of love with music for a while.. Kellie moved to Melbourne and greener musical pastures and i stopped playing for a bit.. i found playing gigs pretty stressful and not really my cup of tea. Till a few years down the track and started another band called Aer Cadets.

++ And what about other labels? Did anyone knock your door to release your songs?

I never really took it seriously so i guess i never pursued labels or anyone releasing song.. never too late i guess!!

++ I ask these questions as the two songs on the compilation are great and it surprises me the band didn’t get to release a proper record. Strange to say the least! But do tell me a little more about these songs. Were they perhaps part of a demo with even more songs?

The two songs we recorded were just for the compilation, prior we recorded 8 songs i think which was released on cassette by us!! Darren Hanlon also played with us on that!

++ I read they were recorded by Angus Kinston. He was a regular in Candle compilations, recordings. How was that experience?

Angus Kinston was a great engineer and fun to work with as he was a friend! He recorded the cassette we realised as well!

++ The song “Cherish” had the help from Darren Hanlon and Ryan James from The Simpletones. What was your relationship with them? And what did they add to this great tune?

Cherish ( not the Madonna one ) was fun as Kellie and I only really played live as a two piece.. Ryan played drums and Darren guitar which made us sound and feel like pro’s!!

++ Going back to that compilation,”Clippings”, there are many bands I am unfamiliar with. Were you familiar with many of them? Knew them? Played with them?

Most of the bands on the clippings compilation were friends with each other which was amazing.. all would play together, some toured together.. Kellie was also in a band which appeared on the album, Falcon 500!

++ Are there more songs recorded by the band? Unreleased ones?

No further songs were ever recorded other than the tape and the clippings compilation.

++ My favourite song of yours is “Cherish”, wondering if you could tell me what inspired this song? What’s the story behind it?

I guess cherish was a bit of a love song.. not necessarily about me but just others i observed in my 20’s.. such a time when one is learning so much… to do with love😃

++ If you were to choose your favorite Billycart song, which one would that be and why?

We had a song called “Bingo”.. it was about playing bingo!! It was a favourite of mine!

++ What about gigs? Did you play many?

Billycart played a fair bit in Sydney and Melbourne.. loved playing at the punters club in Melbourne.

++ When and why did Billycart stop making music?I had read that Kellie ended up moving to Melbourne to be part of Architecture in Helsinki, was this the reason the band stopped, or had it already stopped by then?

Kellie moved to Melbourne and we still played occasionally down there.. we played with AIH in Melbourne at this old warehouse, think it was the first gig they played. Bunch of other bands played too. It was a memorable gig. I just didn’t appreciate how good to play shows like this was at the time. Kellie remained in Melbourne playing with AIH and I returned back to Sydney. We now ironically live pretty close to each other in Regional Australia. She has two kids and I do as well. Similar ages. We all hang out still!! I formed a band back in Sydney called the Aer cadets, again never to it to serious but enjoyed played with different people and new songs!

++ Was there any interest from the radio? TV?

I believe Cherish got played on radio in Taiwan of all places! We received a royalty check from a radio station one year which was crazy.. should have cashed in and toured in Taiwan🤣

++ What about the press? Did they give you any attention?

We had a few street press reviews of our tape which were all positive! Nothing major but nice words were written.

++ Looking back in retrospect, what would you say was the biggest highlight for the band?

I think to say we played with such a great band such as AIH in the early days for them was a tremendous privilege and hi light for Kellie and I.

++ Aside from music, what other hobbies do you have? Newcastle United fans?

Having a young family is my hobby these days, well takes up most of my time.. which is fun.. i do still tinker with the guitar and hope to play again someday.. I love aeroplanes and all things aviation which one of my sons now does too! We have a radio scanner so we can hear planes coming into our local airport, if it’s something of interest you can assured we will be first out there to see it…

++ I’ve never been to Sydney so I’d love to ask a local. What do you  suggest checking out in your town, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Sydney was a great city to live in.. we got out around 15 years ago and now live 6 hours away!! Nice to visit and take our kids to but we don’t miss it!! Its such a picturesque city.. the harbour is beautiful.. you can just catch a ferry and cruise around all day taking it all in.. never appreciated that when i lived there.. worth a visit one day for you!!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
Billycart – Cherish

13
Aug

After a few French bands that appeared on “Teeny Poppers”, the 1992 compilation tape I’ve been going through with a fine comb, now it is time for a one that is not French: In Heaven.

On this cassette that Anorak Records released in France the band would appear opening the B side with the track “It’ll Keep Awhile”. That wouldn’t be their only compilation appearance. in 1992 too they would have the track “Coast to Coast” on a tape titled “Sandcastles in the Sun” released by the German label Meller Welle Produkte (MEL10).

Lastly, in 2021, their song “Aquanova”, was on a British compilation tape called “Deliberately Lo-Fi” that Kyle Productions (001) released.

Speaking of “Aquanova”, that was the name of the band’s 1993 tape album that they self-released. On the sleeve of this tape it has an address as a contact information. It is in Devizes, in the UK. I had never heard of this town before. Looking at Wikipedia I learn…

Devizes is a market town and civil parish in Wiltshire, England. It developed around Devizes Castle, an 11th-century Norman castle, and received a charter in 1141. The castle was besieged during the Anarchy, a 12th-century civil war between Stephen of England and Empress Matilda, and again during the English Civil War when the Cavaliers lifted the siege at the Battle of Roundway Down and the Parliamentarian Army of the West under Sir William Waller was routed. Devizes remained under Royalist control until 1645, when Oliver Cromwell attacked and forced the Royalists to surrender. The castle was destroyed in 1648 on the orders of Parliament, and today little remains of it.

The tracks on this album were: “Ultramarine”, “Kodak”, “Aquanova”, “Coast to Coast”, “Head for Home”, “Seen it All”, “My Mine”, “Setting Sun”, “Mirror Me More” and “It’ll Keep a While”.

That same year, 3 songs from this album would be picked up by Meller Welle Produkte to release a 7″ titled “Aquanova E.P.” (MEL5). This great sounding shoegazey record had “Seen it All Before” on the A side and “Ultramarine” and “It’ll Keep Awhile” on the B side. The songs were produced and engineered by the band. The band also took care of the artwork with a photo of a cat named Bob on the back cover. Tracks were recorded at My Disco in 1992.

There is one name here, on the labels, though, J.M. Philipps. He wrote all the songs. Was his name Justin perhaps? I saw a Justin commenting on a blog post saying it was his band. No last name though.

And that’s what I could find. The songs are available to listen online, on Youtube, so you won’t have have difficulty to check them out. But there is no information about who were behind this band. How long did they last as a band or if they played in other bands before or afterwards. Would be nice to find out!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
In Heaven – It’ll Keep Awhile

05
Aug

I think it will be over soon. Over my investigation on the bands that appeared on the “Teeny Poppers” (SHOUBIDOUWA 01) cassette compilation that the Limoges-based label Anorak Records released in 1992.

I’ve written of quite a few by now. Also I don’t plan to write about all of them (maybe some day), but only about the bands I don’t know anything about, or very little about. That’s why I wrote lately about Monsieur de Foursaings, The Through Corners, Meek and today I will write about the British band The Music Scene.

Yes, they were British, Fabien mentioned that to me when I interviewed him. And I know it was formed by Roy Thirlwall, Pete Jarvis and Emma Saunders.

The song that they have on the compilation is a nice mellow track titled “Isabelle” that appears as the 5th track on the A side of the tape comp.

One wonders then who is this enigmatic Isabelle they dedicate the song. The name Isabelle is French, I’d say. Maybe it has to do with Isabelle from the band Caramel, the band Fabien from Anorak Records was in? Maybe it is a wild guess…

It is also worth noting that in 1991 the band appeared on the classic “The Waaaaaah!” CD released by Bring on Bull (BULL 3-0). On this legendary comp the band had contributed the track “Friend of a Friend”.

Other than what I’ve been able to share here there is no information about the band.

Who were behind this band? Are there more recordings? Anyone knows?

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Listen
The Music Seen – Isabelle