09
Jul

Day 485

Ducks Ltd.: I still haven’t got around getting the first album by this superb Toronto band. I know, I know. I am a slow listener now. I used to listen many more records per week. Now one or two are about what I can handle. And there are so many (and not that much money!). You might think I get free records from the blog, but in due honesty that is SUPER rare. And I don’t expect any either. I do this for love. Anyhow, that’s a long introduction! Ducks Ltd. is releasing a new album, on vinyl and CD, called “Modern Fiction”. So far we can preview one song, “18 Cigarettes”, which sounds ace. The album will be out on October 1st. One not to miss for sure!

The No-Yeahs: two new songs and this time on a flexi! How cool! There’s even a video for the title song “Catto in the Ghetto”. And yes, there’s a second song in this flexi titled “Let’s Go” and it is as nice. Anna makes wonderful bedroom pop and she is also a great visual artist, so you can expect some nice art with the record!

Love, Burns: it burns. Missing the 7″ burns. now there are three new songs by Phil’s band but this time around they are only available digitally. These are “She Will Leave, Unless”, “Say What You Mean” and “The Push and Pull of the Great Outdoors”. All are terrific as usual. I really hope I can catch him and his band live soon!

The Bunbury: in this blog we like the Yogyakarta band, a lot! A new song, after a year, is good news. Of course I want more, one song is never enough, but “Hide me from the Sun” meets all of my expectations. Great work guys!

Tears to Go: remember the fantastic When Nalda Became Punk? Elena, the Vigo based, indiepop star is back with a new project. It is called Tears to Go and it is a bit different. The punchy pop has been replaced by classy and elegantly arranged introspective pop. And it works! Works fine to me. The first preview we are getting from the upcoming album “Patronizing Self-Help” is an eponymous song which is up now on Bandcamp.

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A fantastic record. That’s the “Your Island” 7″ that was released in 1984 by Final Diners. This record just had two songs, “Your Island” on the A side and “No Windows” on the B side.

I have a copy of the record but just of the vinyl, I don’t have the sleeve. It was my friend Jessel who was kind enough to gift me this record. I hope to find a sleeve someday though. It feels a bit incomplete, not having the sleeve. When that happens to you? That you have the record but no jacket or sleeve, how do you feel?

Many years ago I was actually contacted by one of the band members, Neil was his name. He was the guitar player. He told me that there were only 200 sleeves made as they couldn’t afford making more, that they did them all themselves.

I tried to interview him, he seemed keen on it, saying that Martin, who was the drummer, would also be up for doing the interview. For some reason I never heard from them again. A shame. It would have been fantastic to learn any information about them.

The 7″ was released by a label called Slow Death by Starlight (CAV 019). Discogs doesn’t list any other releases on the label, so I wonder as the catalog number is 19 if there were any other releases. I read that the catalog might have to do with Cavalier Recording Studios in Stockport. The record got some nice distribution thanks to Probe Plus and The Cartel.

The record shows the three band members, Neil, Martin and Alyson, on the front of the sleeve. It is a drawing of them, having picnic. There is a rope hanging too… is it going to hang anyone? This sleeve was designed by Jenny.

No compilation appearances are listed. Were these the only two songs the band recorded? I hope not. Probably just the only two they released. Are there demos?

I do find some more info thanks to a comment on Youtube. There it mentions that the band hailed from Manchester, from the Cheadle/Heald Green area. It also mentions that the vocalist was probably named Alison.

Sadly that’s all I’ve been able to find. I don’t know the last names of the band members and have no clue if they were in other bands afterwards (or before!). Any information would be appreciated, I would love to hear any other songs by the band too!

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Listen
Final Diners – Your Island

08
Jul

Thanks so much to Damien Parsonage for the interview! I wrote about the fantastic and obscure band Crystal Tips & Alistair after discovering them on Youtube with their song “Lesley Cocaina” that appeared on the compilation tape “Blabbermouth” and I wanted to know more details of course! Happily Damien got in touch and shared some more songs with me, and even better he was keen to tell the story of the band! So sit back and discover this great band!

++ Hi Damien! Thanks so much for being up for this interview! How are you? Are you still involved with music?

Hi, and thanks to you! It’s so lovely that someone has ‘found’ our music after all these years.

I’ve always played guitar and been in various bands since the 90s. They’ve mostly been cover bands formed with people from work to play Christmas and summer parties. My latest is The Pharmacist, a band I’ve been in since 2015 with colleagues.  We had a break for about 3 years but we’re getting back together for a birthday party in October.  We’re just choosing songs and booking in some rehearsals now.

++ Let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Music was really important in our house and my Dad, who played Spanish guitar, had an incredibly diverse taste in music – from flamenco to Charlie Parker and Miles Davies, from Country & Western to Northern Soul.

The Beatles were the big pop band for us. My Dad is from Liverpool (he moved down to London in the late ‘60s). He actually went to Quarry Bank School at the same time as John Lennon (although Lennon was 4 years older).

And he always recorded the top 40 chart show every week and made a compilation tape every month or so of the best stuff.

As for instruments, I was picked to play violin at school at about 6 and just hated it for the next 8 years or so. I never learned to read music properly and classical just wasn’t my thing.

My Dad had tried to get me interested in the playing guitar over the years, but I wasn’t really up for it. He gave up, and then suddenly at 13, I decided I really did want to play.  So he gave me a chord book and some song books and told me to teach myself!

++ Had you been in other bands before Crystal Tips & Alistair? If so, how did all of these bands sound? Are there any recordings? 

No, Crystal Tips was my first band.  We were all so young!

When I was about 14, I used to get together with a friend from school, who was learning guitar at the same time as me. Another friend joined us on bass (using a normal guitar).

Of course we weren’t actually a band, we were just three mates playing around, trying to show off who knew the coolest riff etc.

We eventually entered a local battle of the bands competition and we performed as a two piece (bass player was away) as Black Pearl. (What were we thinking? Sounds like some awful metal band).

We quickly dumped that name and became Crystal Tips & Alistair.

++ What about the other members?

My two friends at the start were Chris Coombes (guitar and backing vocals), and Steven Pepper (Bass Guitar). It was their first band too.

Our drummer, Paul Harris, joined later (he was a friend of a friend at school) and it was his first band. In 1985, Steven Pepper left to join the Royal Air Force and he was replaced by Martin Young, who had been in another Medway band, The Drunken Popes, who also had a track on the Blabbermouth tapes.

++ Where were you from originally?

I was born in North West London (Willesden Green) and my parents moved down to Medway when I was 2.

++ How was Medway at the time of Crystal Tips & Alistair? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Medway had such a thriving music scene.  It was a great place to be young and in a band in the 80s. A few UK garage bands had made a name for themselves in the early 80s – including The Prisoners and Thee Milkshakes, which was Billy Childish’s first band.  The Prisoners featured James Taylor on Hammond Organ, and he went on to form The James Taylor Quartet who had some good commercial success.

https://en.wikipedia.org/wiki/Medway_scene

So there was a lot of buzz and a lot of places that had live bands on. And so many good bands.  It was mostly pubs, but they generally welcomed and encouraged young bands. Churchill’s in Chatham, the Woodlands Tavern in Gillingham and the White Hart in Rochester were three places that had regular live local bands.

++ And what about Medway bands? Which are your favourite bands from your area? And if there are any that you would recommend me as obscure bands that deserve my attention?

So many good bands.

The Dentists were the big Medway band in the mid-80s and beyond. They were a “proper” band who had records out and got played on Radio One (Janet Long was a big fan, I think) and did big gigs.

Here’s their first single

https://www.youtube.com/watch?v=9ulObblo7Cc

I also loved The Claim, another band who put some records out and had a decent following:

https://www.youtube.com/watch?v=vIEKtuD6dAQ

And you must have impeccable taste, because the bands you’ve featured from Blabbermouth are the ones who I liked.

The Hyacinth Girls was formed by Andy Webber, who was the driving force behind the Bands Co-op, and who also managed to get two of his songs on the Blabbermouth tapes. On Margate Sands is actually the Hyacinth Girls under a different name. Here’s a track from an album they released:

https://www.youtube.com/watch?v=ICw8tegafvc

And I loved The Strookas, who were from Maidstone a nearby town, so not strictly Medway.   But in the spirit of cooperative love, they were invited to join the Co-Op and we all played lots of gigs with each other.  Here’s my favourite track of theirs:

https://www.youtube.com/watch?v=i1gThPF2dFA

++ You were founding members of the Medway Bands Co-Op. Was wondering what did that entail? And what were the successes of this Co-Op?

There were so many bands in Medway it made sense to try and organize ourselves to ensure we got paid fairly and treated well. It was also a chance to ensure up and coming bands got heard and seen as much as possible.

I think it was Andy Webber’s original idea with Mark Matthews (bass player from The Dentists) and our bass player Martin Young.  All the bands knew each other really, so word got round that we were starting this co-operative and everyone was invited to an inaugural meeting to discuss it.

We met every other Sunday I think in a pub in Chatham or Rochester and discussed band business. We agreed to compile the Blabbermouth tapes and put on Co-op Showcase gigs featuring all the bands playing live in big local venues, and at the Town and Country Club in London.

Over the course of two or three years, the Co-Op released two Blabbermouth tapes, put on numerous gigs and helped bands get some exposure.

++ How did you all meet? How was the recruiting process?

Crystal Tips were all school friends basically.

++ How was the creative process for you? Where did you usually practice?

We practised at each others’ houses a lot – I blew up two sets of my Dad’s speakers as we didn’t have amps for ages.

Then there were lots of studio/rehearsal places you could book for the night – some with a proper set up and some church halls!

Me and Chris Coombes would write the songs on our own and then bring them to rehearsal for the band to play.

++ Who were the members and what instruments did each of you play?

Me – guitar and vocals

Chris Coombes – guitar and vocals

Steve Pepper (bass guitar until 1985/6)

Martin Young (bass guitar from 1986)

Paul Harris (drums)

Andrew Kesby (lead vocals 1986-1988)

++ What’s the story behind the band’s name?

Crystal Tips and Alistair was a children’s TV show in the UK from the late 60s/early 70s.  It was bit of trend to refer back to those beloved programmes and a few bands around that time had names based on old kids’ TV shows. The Soup Dragons, for example, as well as another Medway band The Herbs.

So we were just riding that bandwagon. It was one of my favourite shows and it seemed like a cool name for a band at the time.

++ Who would you say were influences in the sound of the band?

We all loved 60s stuff – The Beatles, The Stones, The Kinks, The Byrds, The Monkees, The Beach Boys etc (Chris even liked Status Quo!).

Also more obscure 60s bands like Love and The Velvet Underground were influencing everyone.

And punk/new wave bands especially The Clash, The Jam, The Fall.

The Smiths were probably the most important band to me at the time – I so wanted to be Johnny Marr (still do).

Obviously C86 was a massive influence on everyone at the time in indie and we were also listening to The Cult, Echo and the Bunnymen, The Wolfhounds, McCarthy, The Mighty Lemon Drops, etc etc

++ You started early in 1984 and it was during this first session that you recorded the song I know, “Lesley Cocaina”. What other songs were recorded then? And where were they recorded?

It was just me and Chris at that stage, with me on bass and a session drummer. We recorded 4 tracks over a weekend at Red Studios, in Wouldham, near Rochester, run by Graham Seamark.

Along with Lesley Cocaina we did songs called Glass Box, This Song and an acoustic track I can’t remember the title of.  I have no copies of the songs left except Lesley Cocaina, because that was put onto Blabbermouth Vol 1.

++ Was this your first time at a recording studio?

Yes we were totally naïve 16 year olds!

++ You mentioned that you did a few more recording sessions afterwards. How many were they? How many (and which) songs were recorded?

We had no money, of course so we only did two more recording studio sessions over the years – all at Red Studios.  After this one, the next two were both in 1988.

We did a live session at Easter 1988, where we basically recorded three of our set with a few added overdubs.  These tracks were Flatful of Wankers, One Step at a Time and Margaret.

We then went back in during the summer of 1988 to record one track – Finished Before it Began which was intended for inclusion on an indie compilation record. That never happened but the track went onto Blabbermouth Volume 2 (and came runner up in a Radio Southampton song/band competition!)

++ Were these recordings released as demo tapes?

We did release them as demos, and tried to sell them, as well as sending them off to radio stations and record labels.

++ You appeared on the “Blabbermouth Volume One” tape with “Lesley Cocaina”. Was wondering what you can tell me about this compilation? 

Blabbermouth Volume 1 was first big thing the Medway Bands Co-op did; to produce a tape cassette with one song from every member, maybe 20-25 bands in all.  Some were bedroom recordings, some live gig recordings and some were polished studios performances. But all had equal weight and the tape was arranged in alphabetical order.

It was reviewed by the local papers, sent to the local radio stations and we put on a gig featuring as many of the bands as feasible.

++ And there was a “Blabbermouth Volume Two” tape too, with another song of yours, right? When was this released and which song of yours was on it?

Volume 2 came out in 1988, and it was the same deal. Reverse alphabetical this time, and with a gig that featured every one of the bands with 10 mins slots.

We chose a track called Finished Before It Began, which we’d recorded for another compilation album that never happened.

++ And how come there were no proper releases? Was there any interest from any labels?

There was always some interest, but most bands ended up releasing their own records, with some then getting picked up by labels.

++ I think my favourite song of yours might as well be “Lesley Cocaina”, wondering if you could tell me what inspired this song? What’s the story behind it?

It’s a song about a girl from a local family who were very religious. She came out as a lesbian and her family and the church rejected her and she ran away.  I thought it was an interesting subject matter for a song – better than “I really love your smile” or other songs I was writing at the time!

++ If you were to choose your favorite Crystal Tips & Alistair song, which one would that be and why?

I really like Flatful of Wankers, it was a great live song and a bit punky for us. I also like Finished Before it Began because it’s so personal.  But Lesley Cocaina was the first decent song I wrote and I was only 15, so I do have a soft spot for that.

  ++ What about gigs? Did you play many?

Lots and lots of local gigs.  And some in London.  From 1986 to1989 I was at university, and from 1987-1990 Martin was, so we had a limited window for gigs, but we crammed them in during the holidays.

++ And what were the best gigs you remember? Any anecdotes you can share?

Best gigs were the Co-Op gigs with lots of bands and lots of support. We played at the old Chatham Town Hall a few times, which was good, including one where we were one of the support acts for McCarthy.

No real rock n roll stories, sadly.

++ When and why did Crystal Tips & Alistair stop making music? Were you involved in any other bands afterwards?

We called it a day in 1990, as Chris was getting a bit frustrated waiting around for us at uni. Also our drummer was leaving to go to Salt Lake City.

So sadly we agreed to call it a day in late 1990.

Chris started a band with the drummer and keyboard player from The Hyacinth Girls.  Martin went on to form a band called Summersault.

I’ve been in various work bands over the years and am currently in The Pharmacist “a funk-punk Dad band”.

++ Has there been any Crystal Tips & Alistair reunions?

I kept in touch with Chris and Steven Pepper. And our drummer Paul contacted me a few years ago to say he had the master tapes from our 1988 sessions. We talked about a reunion but nothing happened.

++ Was there any interest from radio? TV?  ++ What about the press? Did they give you any attention?  ++ What about from fanzines?

Local radio stations and local papers were generally supportive, and there were a few fanzines around.

++ Looking back in retrospective, what would you say was the biggest highlight for the band? 

Probably supporting McCarthy! And more recently finding out someone had put my song on YouTube!

++ Aside from music, what other hobbies do you have?

I love football – my Dad gave me a life-long love of music and a lifelong love of Liverpool FC.  I spend a lot of time watching, thinking about and arguing about football.

I’m a UEFA licensed football coach and I ran a local youth team until recently.

++ I once went to Rochester but I am not familiar with Medway, so would love to ask a local what would you suggest them doing there, like what are the sights one shouldn’t miss? Or the traditional food or drinks that you love that I should try?

Well, I left Medway in 1990 to work and live in London, and I’ve only really been back to visit my parents now and then.  So I’m not really a local any more!

But Rochester has a lovely quaint high street and a castle, Gillingham has Kent’s only football league team and erm …

++ Anything else you’d like to add?

Just to say thanks again for giving me a lovely trip down memory lane!

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Listen
Crystal Tips & Alistair – Lesley Cocaina

07
Jul

As I’ve been terribly busy with the birth of my song I haven’t had time to digest what happened to my friend Toshiko Matsumoto. Just a few weeks ago she passed away. This was such sad news that I had a hard time understanding how this could happen. Why such a passionate person would leave us so young.

I never met Toshiko in real life. And that is definitely something I regret. Of course she told me many times to visit Tokyo. I would have loved to. It is a place I want to go, but still it is in my bucket list.

Toshiko used to run a store there called Apple Crumble. It carried indiepop records from all around the world. Small labels had the same opportunities there as bigger labels. She was the first one to open the doors to the two labels I had, Plastilina and Cloudberry, when no other store cared for my releases. She even made special sections for the labels thus promoting better my records in Japan. That was truly amazing. And I am very thankful for that. She helped Cloudberry a lot to become a known label within the Japanese fans.

And that wasn’t all she did. She wrote a column on the Cookie Magazine. This cool music magazine featured so many great bands and labels. And again, Toshiko championed Cloudberry dedicating a whole article to the label back in the day when I was putting out 3″ CDs. It was the first time the label was on a magazine and it was thanks to Toshiko.

Another time she translated a text about my time in Berlin and Europe, when I DJed in 2009 with Uwe from Firestation Records. I just found this text. I totally forgot about it. Maybe I will share the English version which I think has never been published before.

Years went by, Toshiko ordering and carrying Cloudberry in her store until the store closed many years ago. The Shibuya-located store is sorely missed today. It was a cultural center you could say.

I interviewed Toshiko too. Hearing from someone so involved in indiepop and to be able to share her passion was what pushed me to ask her to do this for the blog. You can read it here. There you can see she wasn’t just running a store and writing articles, but she also organized indiepop parties as well as running a fine label called Rosemary Records! On that label she released the likes of Sloppy Joe, Labrador, Bananaskin, Mocca and Seaside Stars (who I am sharing one of the songs she released from the album “The Stranded Whale”). She was definitely a true activist for the music we like.

She continued until the last days of her life promoting indiepop, doing a blog with her beloved Fabien which she called of course Apple Crumble. The blog was last updated on May 13. But you can visit and check out the good taste Toshiko had with all her wonderful recommendations. There’s even a small interview she did with me a few months back.

It was fun to chat with her. We didn’t do often lately,  after her store and online mailorder closed, but she was supportive of Cloudberry, always. I would always get nice emoticons from her whenever I shared posts on Facebook. Made me so happy.

Perhaps the biggest collaboration we did was the Apple Crumble EP. This was a 3″ CD I put together in 2007. This EP that featured Zipper, The Atom Miksa Reservation, Princess Niko, The Medalist and Robert Church and the Holy Community was only sold at Toshiko’s store. It was a different time and shipping from Japan was affordable. I wanted to support her store and wanted Cloudberry fans to be aware of what Toshiko was doing. So I wanted to direct people to Apple Crumble and get this CD which was wonderful of course. It sold out needless to say.

But that was not all. I dedicated a 7″ insert text to Toshiko. For those who own the Caucus 7″ they will know what I am talking about. On that insert I celebrated my friend Toshiko and her unending support.

I am sad to know she won’t be around anymore. I considered here a like-minded spirit. She knew how to enjoy music. She knew how to project that passion in so many different activities that brought joy to friends and fans. She will be missed. But what she inspired me and many more will continue alive, we wave the indiepop flag high, the same way she always did!

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Listen
Seaside Stars – Guiding Star

05
Jul

Day 481

Croma Nueve: just discovered the label Sursum Tapes from Granada, Spain. Their latest release, the self-titled Croma Nueve tape is already sold out. But here I am checking it out. It was released last May and included 5 songs. You can check their lo-fi bedroom pop on Bandcamp.

A Days Wait: another nice discovery is this project from Hamilton, Canada. Just a week ago Adam Alfano, the person behind this band, published a punchy pop track called “Lost Anyway”. Previously he had released “Ties that Bind (B-Side)” and “Falling Forward iPhone Demo” on Soundcloud.

Fantasy Postcards: wow! a new song by my friends Johan and Mattias Jonsson from Uppsala, Sweden. This one is called “(Where there was) No Goodbye” and as usual is a superb slice of jangly pop!! Thumbs up! I heard a rumour somewhere that they are releasing something in the near future? I hope it is true!

Evergreen Days: remember I told you that My Secret Garden Recordings are releasing a compilation by the amazing Evergreen Days on November 25? Well, to promote this wonderful release a video has been made for the song “Until Then”. This is one release that is essential this year.

Frown Line: and we end this Monday recommendations with another Canadian band, Frown Line from Ottawa. I’ve been meaning to visit the capital for many years, but I haven’t yet. Would be nice. The one song on Bandcamp have reminded me of those plans. This song is called “September” and was recorded by a girl whose name we don’t know but that she is 19 and played everything on it. Nice!

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Back in 2014 the venerable Jigsaw Records that our friend Chris Mac runs released “Thank You for Nothing!” (PZL064) a retrospective compilation of the band formed by Andy Huscroft on bass, Malcolm (Mala) Reay on vocals and guitar and Steve Minto on drums, in the early 90s.

This compilation is available to listen in its entirety on Bandcamp. It includes a whopping 28 songs! These came from their three singles, one split flexi and many compilations, which we’ll look later on, and some from their never released album. The songs for you completists were “Make it Better”, “Why Does the Sun Fall from the Sky?”, “4 Walls”, “Salt in the Wound”, “Sacred Ground”, “Another Day”, “Wish You Luck”, “St. George’s Way”, “Worldly Wise”, “Come in from the Cold”, “Do You Really Know What’s Going On?”, “Money Talks”, “Make a Big Decision”, “Goodbye to Stephen”, “A World of your Own”, “Pull the Boat in”, “Close to Home”, “Think it Over… And Start Again”, “Happy Again”, “The Devil’s In your Shoes”, “This is Your Life”, “A Suit of Wood”, “Watch the Rain”, “You Live by the Sword… You Die by the Sword”, “Sad”, “Chocolate Rain”, “You Need a Heart of Stone” and “Ever Get the Feeling You’ve Been Cheated?”. If you remember, once upon a time I named a Cloudberry 3″ compilation like the last song.

That last song, “Ever Get the Feeling You’ve Been Cheated?” appeared on the split flexi I mentioned. This flexi, shared with The Lavender Faction, came alongside the This Almighty Pop fanzine, number 3. Catalog number for it was DR002, the label was Dolphin 7. The artwork features The Beatles.

On this flexi we learn too that the band hailed from Gateshead.

Gateshead is a large town in Tyne and Wear, England, on the southern bank of the River Tyne opposite Newcastle upon Tyne. Gateshead and Newcastle are joined by seven bridges across the Tyne, including the Gateshead Millennium Bridge. The town is known for its architecture, including the Sage Gateshead, the Angel of the North and the Baltic Centre for Contemporary Art. Residents of Gateshead, like the rest of Tyneside, are usually referred to as Geordies.

In 1991 the band released their first proper 7″, the “Make it Better” single (TURN 05). It came out on the German label A Turntable Friend and had three songs. “Make it Better” appears on the A side and “Pull the Boat In” and “Sad” on the B side. The songs had been recorded in June of that year and on the sleeve there seems to be a woman I should know perhaps, but I can’t tell who it is, looks like a movie actress. Who is she?

In 1992 the band releases a tape on Elefant Records called “Happy Hymns” (ER-014). This tape had 15 tracks, can it be considered an album? Maybe not, most probably a collection of demos: “All Fall Down”, “Money Talks”, “The Devils in Your Shoes”, “Chocolate Rain”, “Think it Over, Start Again”, “Good Luck” and “Happy Again” on the A side and “Come in from the Cold”, “Watch the Rain”, “This Could be Heaven”, “Sacred Ground”, “Goodbye Stephen” and “Do You Really Know What’s Going On?”. Impressive as many of these songs don’t appear on the Jigsaw compilation.

1993 sees the band release “St George’s Way” 7″ (TURN 13) again on A Turntable Friend. Two songs on this one, “St George’s Way” and “Why Does the Sun Fall from the Sky?” on the flipside. Again some interesting photos for the artwork, perhaps known images from TV or movies but I can’t pinpoint them. Not much more info other than who wrote the songs, Graham for “St Georges Way” and Huscroft and Reay for the B side. Now, who is Graham? Was he a new member?

Elefant would work again with the band and release “The Route of Evil – 4 Songs” 7″ (ER-128) in 1994. This EP had “Salt in the Wound” and “Another Day” on the A side and “Make a Big Decision” and “Worldly Wise” on the B side. Weirdly in Elefant’s website it says that the band hailed from Australia.

When it comes to compilations the band shines. They were very active during the 90s! I’ll try to do it quickly and chronologically.

On the 1990 legendary tape “Positively Teenage” released by Stephen Maughan’s Dolphin 7 label we find their songs “All Fall Down” and “Devil in Your Shoe”. In 1991 the song “Watch the Rain” is on the Red Roses for Me tape compilation “Honey at the Core”. That same year on the Spanish tapee “Film Fun ‘There’s No Stopping Her!'” released by El Vicio Secreto de Sister Mary to accompany the first number of thee eponymous  band contributed “Come in from the Cold” and “Sacred Ground”.  Lastly that same year the song “Sleep like a Dream” ended up in the tape “123456 Road Runner” by Glidge Records (Glidge001).

1992 was quite prolific as well. On the French Anorak Records tape “Teeny Poppers” (SHOUBIDOUWA 01) they included the songs “Worldly Wise” and “Everything Today”. On another French tape, “Garden Party” released by Aliénor Records (Alien alpha) they had the song “Happy Again”. Elefant included the song “Sad (Demo Version)” on “Positively Dolphin Friendly” (ER-007) tape. Lastly on the classic “C92” released by Rainbow the band had yet another two songs “Come in from the Cold” and “Why Does the Sun Fall from the Sky?”.

In 1993 the songs “Make a Big Decision” and “World of Your Own” ended up on Grapefruit’s “Lime Green” (Grapefruit Four) tape comp. Bliss Aquamarine would also have them on “Peacock Blue” (BLISS 002) compilation with the songs “Chocolate Rain” and “Watch the Rain”.

More recently the band had “Why Does the Sun Fall…” on the “Jigsaw Records 2015 Sampler” a CDR sampler by Jigsaw Records and in 2017 they appeared on “The Test of Time” (TURN50) a CD and vinyl compilation by A Turntable Friend that announced the comeback of the mighty label.

When it comes to other bands they have been involved with, well we know Malcolm Reay had worked with our friend Stephen in Kosmonaut. Very cool indeed. I don’t know much about the other two members. Did they play in any other indiepop bands? I believe Andy Huscroft was on The Hipflasks who I wrote about (but still haven’t been in touch with!)

I look for more info. I find a blog called “…Your Heart Out“. Here the author writes a nice post about Malcolm Reay. This piece dates from November 2010 and teells us that The Gravy Train had great t-shirts. Would love to see one. He mentions too that the Malcolm loved the band Hurrah!

The other blog that wrote about the band is the great 7pulgadas by my friend Alex from Spain. Not much info about the band but always lovely to read the passionate texts of this blog.

Not much info, but hopefully we’ll find out more details about the band soon! I hope the connections between bands that I am friendly with may help with contacting The Gravy Train members!

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Listen
The Gravy Train – Come from the Cold

02
Jul

Day 478

Hotel Artesia: nice to see Mr. Wright, Kevin, back. You have to remember his wonderful music as The Dreamers and Always as well. This new project is called Hotel Artesia and he has already recorded a bunch of songs that are available on his own Youtube channel. He has so far five songs worth checking out, “Stardust”, “Station”, “Seconds”, “South” and “Space”.

Three Berry Icecream/Funny Little Dream: wow! what a nice release Shiny Happy Records from Indonesia is putting out on July 27. A split tape by the legendary Three Berry Icecream (who I interviewed on the blog not too long ago) and Funny Little Dream a band we love and released a 3″ CD back in the day! Each band contributes four songs to this release and you can preview one song each on Bandcamp!

The Oilies: now we have to listen “Free all the Monsters” by The Oilies. It is actually a cover of the classic song by The Bats. Carly Putnam  and Michael O. are the people behind this fine sounding California band that as you know I’ve recommended time and time again. Hoping for a release in the future.

Geddy Laurence/Michael O: and I had to check what was new with Michael Olivares solo, not just in The Oilies. Well there is a split tape with Geddy Laurence (Ged McGurn from Boyracer) out now on Safe Suburban Home Records from York, UK. In this split each of them contribute two fine popsongs.

Galaxy Lodge: what a nice discovery! This Manila band formed by Emeer, Gerard, Ron, and Otits, is now on Lilystars Records. On top of that they have just released a very good single called “Kiss this Goodbye”. Really enjoyable. I feel I don’t stumble upon many filipino bands as often as I want to, but when I do it is usually quality!

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We head to the US today, to discover the self-titled album by The Allisons.

Released by Spindletop Records (SPT 128), who had released Janet Jackson (!), in 1989, I don’t know how much of a success it was. It does look like the label trusted the band and released it on vinyl, CD and cassette. Uncommon those days!

The jangly band had 11 songs on their record. On the A side they had “Sixth Dimension Flower”, “Wild Wild Rain”, “A Second Coming”, “Sherry Goes Round” and “They Pulled My City Down”. The B side had “Roanne”, “Of Speaking my Mind”, “Naivete”, “Waters Rise and Lower”, “Homeward Bound” and “Listen”. All songs were recorded at January Sound Studio in Dallas, Texas, and mixed at Amigo Studios in LA.

The artwork shows us the four band members in the front cover. They were  Adym Roy on vocals and bass guitar, Jim Harville on vocals and guitars, Karl Teten on lead vocals, guitar, harmonica and bass and Kevin Tate on drums.

Other credits include Daniela de Stefanis, Bill Kennedy and Garth Richardson as engineers. The executive producers was W. Barry Wilson. The songs were mastered by Michele Stone, while the producer was Rob Meurer (who also played percussion and organ on the record). Novi Novog played viola. She has played viola in more than 150 records including 10,000 Maniacs or Dolly Parton!

The song “Homeward Bound” is actually a cover of Paul Simon and the first track, “Sixth Flower Dimension” was written by Errol Hughes. Who was he?

There were no compilation appearances for the band nor any other releases. How strange.

I look at any other bands they might have been on. Kevin Tate seems to have drummed for Gorges Borges who released a 12″ in 1985. And that’s it. What about the other members? They must have played music somewhere else, no?

To me it looks clear the label had a lot of hope in the band. I read that their cover of “Homeward Bound” had a video and used to be played in MTV Europe. I haven’t been able to find this video on Youtube.

There is absolutely no more info about the band. I think they hailed from Texas. But that’s what I think. I don’t have prove.

Hopefully we’ll learn more details about them in the future. Anyone remembers them?

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Listen
The Allisons – Sherry Goes Round