26
Feb

Day 352

Pelvic Fins: Augusburg, Germany, has becoming a nice hotspot for indiepop. We have the fantastic Kleine Untergrund Schallplatten label there and today I discovered Gebrauchtemusik, another label from there I believe. Their latest release is a 15 song collection by the band Pelvic Fins. The album is called “Muxik Vorher & Nachher” and is available digitally. This is actually not a new release, this album came out back in 2003 in CDR.

Collapse: this Japanese shoegaze band is a new discovery for me. Their latest song is called “Vertigo feat. Ishikawa”. I believe Ishikawa is in a band called My Dead Girlfriend. There’s not much more info about the band or the release here, just that it is a digital only release. Sounds good though! Should check their previous releases.

The Keep Left Signs: I really like this Swedish band that features two ex-Lost Homeboys, Jimmi and Gustaf. The band released a new EP on December but as it’s only on digital platforms I haven’t been able to share it. The good thing is that on Youtube they’ve made a video for the first song of said EP and as soon as you listen to it you know it is a winner. The song is called “Make it Shine” and the video was filmed in Japan, while Charley was visiting last March. I hope it gets a physical release!

Lentillas de Colores: another new video! This one comes from Spain from the band Lentillas de Colores! The band has just released a 7″ EP and the song they’ve chosen to make a video is called “Arrancacorazones”. Thee video is really nice, with lovely and well thought aesthetics. Very p!o!p!

Haus Plants: and lastly we discover a new band from Lisbon, Portugal. Their latest track is called “Visual Diaries” and it is an upbeat jangly tune. Really enjoying it.

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Back to the CDR days. The year is 2008 and there’s a label that’s been releasing a bunch of good EPs and singles. It is Cosy Recordings from Stockholm, Sweden. At this point in time I believe the label owner is cool with me, and we have sort of a friendship. That will change later on, but that’s not an interesting story. The story today is about the 11th release on that label, Little Big Adventure’s “Saltsjö-Duvnäs” EP.

Back then 100 copies for a CDR was a good idea. I wonder if today too? It was limited and hand-numbered, as was the trend that maybe I started with the Cloudberry mini CDs. It worked well. This EP with catalog number COSY 11 had four songs, the title song “Saltsjö-Duvnäs”, “Son of St Jacobs”, “Saltsjö-Duvnäs (Performed by Erik Halldén)” and “Saltsjö-Duvnäs ’08 (Performed by Erik Halldén and Little Big Adventure)”.

Little Big Adventure was Magnus Lindroos from Sundsvall and we can assume he had a good relationship with Erik Halldén. Erik Halldén perhaps should get an entry on the bog sometime. He was quite representative of the period, releasing albums on Bedroom Recordings as well as EPs on the very fine My Secret Garden Recordings. What’s interesting is that actually Erik Halldén was the one who wrote the song “Saltsjö-Duvnäs”.

Saltsjö-Duvnäs is actually a residential area in Nacka. That’s within Stockholm county boundaries I believe. Perhaps Erik hailed from that area? Or Magnus? That’s something to find out of course.

We also know that the other original song on the EP was written by Henrik Berggren. That means then a cover of the Broder Daniel’s song “Son of St. Jacobs”. Okay. What else do we know about this release? The artwork is credited to Lisa Persson and the layout to Karin Ringvist.

There are two compilation appearances. Both of them is with the same song, “Happiest Times”. The first one dates from 2008, it is on the “Club King Kong: Säsongen 07/08 – Med Musiken i Mitten Volym 3” CDR comp released by Donkeyboys Recordings (DKNYBYS003). I would really like to get all of these club King Kong CDRs… if anyone wants to get rid of them let me know. I am very curious about them.

The other compilation is one called “Stockholm Belong to Us” (PLAB139) that came out on Labrador in 2011. It was a CD and was also published in the Philippines that same year by Universal Records.

To my surprise there is even one more release by the band, a CDEP from 2009 on Labrador! So the band ended up leaving the CDR for a proper CD. The EP was titled “The Hateful Eye EP”. I totally missed it. This EP had four songs, “Happiest Times”, “The Hateful Eye”, “Any Questions?” and “Son of S:t Jacobs”. There was even a video made for “Happiest Times“!

Aside from this project, we know that Magnus Lindroos was in a band called Supertuff who released a split tape with the band There is Thunder in Our Hearts on 2014.

One thing that is confusing is that on Labrador’s website there is a bio about the band and that one is penned by Magnus Sätterström. Is it the same Magnus as Magnus Lindroos? That confuses me. Who’d know. The bio doesn’t give us much details about the band. At some point the band had a website and a twitter.

One thing that I figured out is that the band’s name come from the 1994 PC game Little Big Adventure.

Now if it is the same Magnus Lindroos, which I am quite confused by now, I found a Soundcloud with a song called “Vill Du Hälsa På Mig?” from 6 years ago. Sounds nice! And from there we find a Soundcloud for Little Big Adventure!

The songs are as old as 10 years old, but there are more recent ones, the latest from 2 years ago. The songs we find here are: “Lazy Kind of Flirt”, “Moop”, “Lba-Wow”, “Woods”, “20 ft. Until Ground”, “Bureaucrat”, “No Love Or True Affection”, “I Remember Things”, “Olof Broström”, “The Standoff”, “Run and Hide”, “My Last Wurds”, “Friends Wiv Nazis”, “To Whom it may Concern”, “Young People”, “The Further Away the Better I Feel”, “Little Boat”, “Gutted Fish + Bonfire”, “Paleremix”, “Ben and Jerrys”, “Visitoldpeople”, “The Easiest Thing”, “Call of Heart (Tcentralen)”, “Don’t Hurt My Eye”, “Powerpoint” and “Kids”.

And that’s I guess the last music he has published. From the photos it seems he has a family now and perhaps left music a bit on the side. Totally understandable. Still would like to hear any anecdotes, anyone that remembers the band? Maybe they played live? Who remembers them?

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Listen
Little Big Adventure – Happiest Times

24
Feb

Day 350.

Texpack: Anoa Records is a very good label from Jakarta. So it is a good idea to check them out now and then. Their latest is a limited edition 3″ single by the band Texpack. Titled “Early Serenade”, this short EP comes with three songs, “The Early Serenade”, “Between 4 and 10 (Strawberry etc.)” and “My Trumpet”. The last one is a cover of the classic Eggstone song!

The Catenary Wires: what a cool thing to see The Catenary Wires on Shelflife Records! The band is releasing a 7″ with two songs, “Mirrorball” and “I Wish You Were Here Now” and has a very nice sleeve with Amelia Fletcher, a chair, nice typography… I dunno, I was sold even before listening to the very good title song “Mirrorball” that is available to preview! The record is coming out on April 16.

Shiny Times: not too long ago, a few posts ago, I was recommending some new songs by the project from Charleston, South Carolina. Kim Hart Weldin’s Shiny Times have now four new songs on Bandcamp that are maybe not that new? They seem to date from February 2020 to February 2021. Which are the old ones? Which are the new ones? Check out this nice EP titled “Starts with S”.

Orion Lake: let’s cross the Hudson river. Now we are in Elizabeth, New Jersey, and checking out the song “Rabbit” by Oriol Lake. And it does impress at first listen. It is fuzzy and warm track, with upbeat melodies. Happy to meet you Orion Lake.

Genders: and lastly we discover this duo formed by Maggie Morris and Stephen Leisy from Portland, Oregon. Their first single from their second album is called “The World Fades Away” and it is quite good! Jangly, female vocals, and classic indiepop melodies.

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What a lovely discovery! I stumbled on Youtube upon The Grain’s song “A Splendid Day” and was hooked! Very Choo Choo Train, very jangly, great melodies. Everything you want to ask for a pop song!

As it is normal with these discoveries the band ends up being terribly obscure. We can see on Discogs that the band released one tape in 1991, and that’s where this song was released. We also know that the band hailed from Calgary, Alberta, in Canada. That’s some good info already, right?

The tape seems to have been self-released and was titled “A Moment’s insight”. It included 7 songs. The A side had “Will I Be Here”, “Save it for Another Day”, “A Splendid Day” and “Watch You Smile”. The B side featured “Happenings”, “Now and Then” and “People Say”. The songs were recorded and mixed by Frank Slide at ReelRock Studios in Calgary. They were produced by the band and Frank Slide.

Who were the band? That we know too:
Mike Hendrix – bass
Craig Clements – acoustic & electric guitar, vocals
Rob Virdis – acoustic & lead guitar, vocals
Dino Finot – drums

A little more googling lets me know that Rob Virdis had been in a band called Glider afterwards releasing two tapes. I believe he also played in a few songs of Matt Gillespie’s self-titled EP released earlier this year.

Then I find that Dino Finot is a motorcycle enthusiast who attends the Calgary Motorcycle Show every year. Interesting! But what about music?

And that’s it. Not much more information on the web, but some great music here, right? Hopefully we’ll learn more about them soon!

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Listen
The Grain – A Splendid Day

22
Feb

Day 348. Almost a year now. I’m glad the Verandan 7″ is out now, it is a good way to manage the expectations. One year of being mostly stuck at home. One year without gigs. And one wonders when will it end. Don’t know if counting the days is the most sane thing to do.

Beach Youth: coming out in April is the album “Postcard”. It will be available on CD and vinyl. There are 11 songs, and we can preview four of them, “Love Yourself II”, “Two Bedrooms”, “A Changed Man” and “In My Chest”. The release is coming out on two French labels, Music from the Masses and Wewant2Records, and on Shelflife in the US. What I’m hearing is very good. I should talk to Ed soon, I will need a copy of the record!

Fightmilk: another upcoming release is the album “Contender” by the London band Fightmilk. Coming on vinyl and CD on May 14 we get to preview two out of 14 songs on Bandcamp. Yeah, we can check out “I’m Starting to Think You Don’t Even Want to go to Space” and “If You had a Sister…”. I really enjoy the guitars and female vocals on both of them. Definitely we should look forward to the second album by Fightmilk!

The Line Managers: first time I check this Birmingham trio. They seem to be brand new as the two songs on Bandcamp have just been uploaded there. And that’s all, no more songs. “Nothing Seems to Work” and “You Should Know” are how they are introducing themselves to indie fans. They sound fine to me. Only available digitally too.

Creature in the Spiral: we head to Laredo, Texas, to discover this cool shoegaze band. Their latest release is only available digitally it seems, a short EP titled “FEB”. The opening track, “Play”, is probably my favourite, fuzzy and with great melodies.

Juliper Sky: and we end up this roundup with a band I have featured in the past, Juliper Sky from Manchester. They make beautiful guitar-layered music. As they mention it, they do know how to marry shoegaze, dreampop and psychedelia. Their latest song is not exception, “Another Life”. Check it out.

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Time to head to Sweden. The year is 1992. And a maxi-single is released by the band Julia Dream. It comes out on the unknown Yellowmoon Productions (catalog YEL001) and we don’t know nothing more. Did it make a splash within the indie scene in Sweden? That’s something I’ll try to find out.

Yellowmoon Productions seems to have been the band’s own label. There are no other releases listed on this label. We do know though some details about the release and that always makes me hopeful about finding more information about the band.

Three songs were included in the CD single, “Liquid House”, “Angel” and “Seeing Out”. They were produced and mixed at White Room, in Copenhagen. The producer was Lars Paulström.

This makes me think that the band hailed from the south of Sweden, probably from Skåne. Maybe from the city of Malmö? We’ll see…

We know the band members too.
Thomas Lundberg – guitar, vocals and drums on “Angel”
Anders Westerström – bass, vocals
Anders Linén – keyboards
Nicklas Johansson – drums on “Liquid House” and “Seeing Out”

The other credit worth mentioning is that Christina Curman did vocals on “Angel”.

Then I find an address on the sleeve. Yes! Yellowmoon Productions hailed from Malmö. The street is Agnesgatan, about 15 minute walk from Malmö’s central train station. In the old town area. How nice. I remember walking those streets and would love to go back soon.

Discogs doesn’t list any compilation appearances nor other releases by the band. It is a shame. Their songs are great.

But there are good news. There is a Bandcamp! I should have started there, right? Well, I didn’t know it existed! Here they have the three songs of the “Julia Dream” CD-single and two demo cassettes to boot.

The first demo dates from 1990 and has four songs. These are “Angel”, “Insomnia”, “A Multitude of Ladybugs” and “The Madcamp Laughs”.

The 2nd demo is from 1991 and has four songs as well, “Here We Go”, “Like Magic”, “Leafsong” and “Sun”.

This is great, I’ll spend an afternoon listening to the songs. Now it would be great if we get in touch with the band and find more information about them. These are all good and would love to know if there are even more songs! If the band members went to be in other projects and more. There’s always tons of questions to ask!

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Listen
Julia Dream – Liquid House

19
Feb

Day 345. Today I mailed the first batch of Verandan 7″s to those who have preordered! That’s great! Keep supporting the label for more and more releases 😀

Grrrl Gang: an Indonesian band getting a vinyl release? That’s not too common but it is definitely great news! The Yogyakarta band is releasing a 7″ on July 1st with two songs, “Honey, Baby” and “Ghost to You (Live at Teras Belakang Studio)”. The one track we can preview, the first one, is really good! Perfect pop! 300 copies are made of this 7″ and it is selling for 8 pounds by Damnably Records. Definitely one we can’t miss!

Vary Landers: now we head to Detroit to discover this lo-fi bedroom pop project. There is little information here, but we can definitely enjoy the guitar strums on the two songs we can check out, “Amaryllis” and “Uji”.

UJU: and back to Asia, to Cebu City, Philippines. I discover the label Melt Records, and their latest release, “Dream of Better Days” by UJU. This is a 10 song album which already came out on January 29. It sounds great! Dreamy with female vocals and very nice guitar arrangements. The artwork for the album is nice too! I hope they get to release the album in physical format!

OutControlJoys: wow! a shoegaze band from Pokhara, Nepal! This is really exciting. Never knew there was a scene there. Ris Records is a label that started in 2016 and supports bands from their country. Good idea! Here I’ve discovered the “Division” EP which seems to be a demo. In any case it sounds good! It has 5 songs of very exciting shoegaze sounds. Check it out!

John Myrtle: and to end this week of discoveries here is John Myrtle from where else? London! The place that reigns supreme for indiepop? I am not sure anymore… it used to be and probably is still, but I don’t find that many London bands as of late. So good to see this solo project who have just released a great slice of pop, a digital single called “Get Her Off My Mind”.

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This is actually the first post I write since returning to NYC in January. I’ve been a bit slow researching obscure bands. On my defense I can say that I am up to date with everything else. Also I’ve written many interview questions for many interviews that I hope get published someday. If I get the answers that is.

Now I want to focus on The Wishing Well, an American band, I believe from Atlanta, who released one EP and one album in the late 80s.

Information about them is not easy to come by. Discogs tells us that the band was formed by Kib on vocals, Pat Luckett on guitar, Marion Smith on bass and Scott Snyder on drums. That’s something.

Then their first release was a 12″ vinyl EP released by Token Bird Records (catalog WW-0915). I want to assume that this was a self-release. The only two releases by Token Bird listed on Discogs are by The Wishing Well.

This first EP came out in 1987 and included 5 songs, “Paradise”, “Wish You Away” and “Sweet Caroline” on the A side and “Immaculate” and “Market Rain” on the B side.

Their album “Maybe” came out in 1989 on Token Bird (WW0123). It was released on vinyl, CD and cassette. The songs on the LP were: “Maybe”, “Wide Awake”, “Anything” My Girl”, “Drink Myself to Sleep” and “Ransom” on the A side and “Don’t Try to Change Me”, “My Favorite Song”, “Big White House”, “Bsusa”, “Nobody Cry” and “Letter” on the B side. 12 songs total.

On this record they credit Jeff Stanley for playing fiddle, Bill Turpin for playing Harp and Ed Roland, the producer. Ed Roland was in the well known band Collective Soul as well as in The Living Room and The Sweet Tea Project. From what I understand there’s a song by Collective Soul called “Maybe” which was dedicated to the memory of Kib Browning. It seems he died in 1995 of scoliosis complications, being 26 years old.

That’s not the kind of information I want to find. But sadly I can’t seem to find much more details about the band. So hopefully some of you remember them. Know of more songs, more releases. Or what happened to the other members? There are no compilation appearances listed either. So would be good to know more about them and the Atlanta scene. Maybe there were more cool jangly bands down there?

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Listen
The Wishing Wall – Paradise

17
Feb

Day 343. Verandan 7″s are at home and I am terribly happy! These are the moments that are totally worth having a label… it is like Christmas!

The Pleasures Pale: remember that we did a wonderful interview with the Dayton, Ohio, 80s band? Well there are good news! Their self-titled album has been remastered and is now available on a deluxe edition CD! So run and get it! You won’t regret it. 12 great jangle songs including classics like “No, Joy” or “My Town has no Cafés”. It also looks like they have 11 copies of the original vinyl pressing. Again, run!

Biarritz: we head to Murcia, Spain, to discover the 7-song mini-album by this project. Titled “De Paseo”, the mini-album is only available digitally. The sound reminds us of the first decade of this century, where Spanish pop, with bright jangly guitars and female vocals was a thing. It does have a nostalgic feel to hear these songs. It brings a big smile to me.

Sonia Gadhia: new song by this artist written and produced by the fine Castlebeat. The label is Spirit Goth. I have to admit I don’t know much about this scene. I do know though that “Be Mine” is a very nice slice of pop. Simple but well done. Dreamy.

Flu Flu: Shore Drive Records from Brighton has now released the mini-album “Mi Mundo Interior” by the Seville band Flu Flu! It is out now on CD and seems that very few copies are left. The band is formed by Fran Lora, Cristina Mohe, Javi Vass and Carlos Díaz, and here, they have 6 terrific songs, some in English and some in Spanish.

Fritz: and let’s end this roundup with the amazing album “Pastel” from the Newcastle, Australia, band. 9 songs which you can ore-order now. I don’t know much more other than the title song is available to stream. It is really really good song, lots of fun. I will definitely want this in my collection.

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Jonas Johnsson was Thehelpmeplease, a Swedish bedroom pop band from the 2000s.

I still recall those days with nostalgia. Even though I would visit Sweden in 2008, and already past the time when the scene was booming, I still have the best of memories of those days. So many creative people releasing records and playing in bands. Those years were amazing and every single day that passes I regret not being able to do a 2nd volume of the “Sound o Starke Adolf” compilations. Maybe one day I will be able to retake that project…

Anyways, Thehelpmeplease. I discovered them around 2004. It was the days of Soulseek and all indiepop kids from Sweden were there. They were sharing lots of great music. There was a cool CDR label called Bedroom Records then and they were the ones that released the first EP by Jonas, it was called “Buzzing like Bumblebees on Speed”. The catalog number was BED004, yeah, an early release in the label.

This EP had four songs, “Buzzing like Bumblebees on Speed”, “Rupert Murdoch”, “Son of a Gun” and “Someone Special”. “Sun of a Gun” was a cover of the classic song by The Vaselines. All songs had been recorded that same year, during autumn, at Jonas’ home. The photo on the front cover, who I assume is Jonas, was taken by Terése Wikström.

In 2005 he would release another CDR. This time it would be on the label Snowbeam Records (003), also from Sweden. Three songs recorded at home that year were part of this CDR, “A Little Love”, “She Said” and “Hesitate in Love”. One thing to note is that here the name of the band appears as The Help Me Please.

At that point in time the band had a website. I remember visiting it, but I can’t remember what sort of info was available. Anyone remembers?

In 2005 the band would contribute a few songs to compilations. The song “Bumblebee (Original Falu Version)” was included in the CDR compilation “Cosy Den Goes Lägenhet Ett År” on Cosy Recordings (COSY 001). Then the song “A Little Love” shows up on the great CDR comp “Popkonst, Love & Understanding” released by Popkonst Recordings (POPK12). And lastly, that year, they have “Buzzing Like Bumblebees on Speed” on the CDR comp “Club King Kong: Med Musiken i Mitten Vol. 2 Säsongen 06-07” released by Donkeyboys Records (DNKYBYS002).

In 2007 the band starts working with the label Series Two. They appear in the compilation CDR “Series Two Records Christmas Special” with the track “Hear the Bells Rings”.

The next year, 2008,  an album is finally released. It is called “You Still Have Summers” and has 9 songs, “A Little Love”, “Louise Dyer”, “Hesitate in Love”, “Someone Special”, “Buzzing Like Bumblebees on Speed”, “1992”, “She Said”, “Hear the Bells Ring” and “Bumblebee”.

Lastly, in 2009, they have the song “A Little Love” in the compilation “Series Two Compilation Vol. 23”.

A good find on the web is a blogspot page from the band dating from 2005. Here I find some setlists were there are some songs that weren’t included in the records. For example The Vaselines song “Lovecraft” and “No Other One” by Weezer used to be covered by Thehelpmeplease.

On the old Myspace I find a song “Lousy Weekend”. There I find a band, among the top friends, called The Johnsson Colors. I want to guess, because of the last name, that it was another band Jonas was in. Who would know?

I also wonder whereabouts in Sweden were Thehelpmeplease based. There is really no information on the web. A shame.

So yeah, who remembers this great bedroom pop band?

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Listen
Thehelpmeplease – A Little Love

15
Feb

Day 341. So yeah, don’t forget that this week I will start shipping Verandan orders!!! Very exciting! Pre-orders will be shipped first of course. The official release date is February 20.

Ski Saigon: “Sees the Albatross”, the debut album by the London based Ski Saigon will be out on the label Too Good to be True. This label, from Brest, France, is actually a new label by the people behind Beko Disques. The album is getting a CD release on March 4 and it will be very limited, just 150 copies. One of the songs is available to preview at the moment, “It’s Already Tomorrow”, and I highly recommend checking it out.

The Lodger: the great Leeds band will be back with a new album called “Cul-De-Sac”. 13 new songs. We can check one of those songs, “Dual Lives”, on Bandcamp. The album will be available through different labels around the world and it seems only in vinyl LP format.

Grids and Dots: the Sydney, Australia, band is back with a new song. It is called “What Happens to Friendships in Winter?”. That’s a good question indeed. Here in the north we are in winter and in a pandemic. So yeah, haven’t seen many friends. Speaking of pandemic, it seems the band actually have some gigs coming up in February and March. Lucky indeed.

CIEL: the Dutch combo also returns with a new song called “Pretty Face”. As with previous songs I’m enjoying this quite a lot. Very nice female vocals and melodies. I just think it’d be great to see a release by them, an album would be nice, right?

Shiny Times: and lastly on today’s quick reviews of indiepop discoveries on the web we find that Kim Weldin has continued making new music! It’s been a while since I last hear from her, probably 7, 8 months? so it is cool to see two new songs on her Bandcamp, “Dark Day” and “Everything is Gray”. Lovely bedroom pop.

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I keep discovering new Australian bands from the 80s and early 90s thanks to that great Youtube channel stoneeyedkiller. It is true he sometimes recommends some bands I’ve posted here but as of late I think I am being inspired more by his posts than him from mine!

The latest discovery is this Sydney post punk/pop band from the 80s called The Call. I already know, by their name, that it will prove difficult to find much information about them. Their name is not a good one for Google.

But there are some good news. There’s a Bandcamp and a Facebook page. So we’ll be able to find songs and some information!

Firstly, on the Bandcamp we find six song: “Winterland”, “Model”, “Andy’s Day”, “Memories” and “Road to Freedom”. We don’t know if these were properly released or not. We do know that they were recorded between 1981 and 1993. That seems a bit odd, six songs recorded in 12 years? There must be more! Anyone would know?

We also know the band members: David Thompson, Michael Pickells, Peter Ciobo and Steve Starr (Thompson). On the Bandcamp photo there are only 3 members though.

It also tells us that the band played in Sydney, Canberra and Newcastle. It also tells us that the band reformed in the year 2020 to play live shows as well as live streams and they plan to record. That’s interesting!

Their Facebook has less information. There are just a few photos of their 2020 rehearsals.

Looking for more information about the band members I find that Michael Pickells played in a band called The Lounge Lizards. And I am pretty sure that Peter Ciobo was in the band Deckchairs Overboard. I had a hard time finding any projects by the other band members.

But yeah, not that much info, but we get to listen to them and hopefully we’ll learn more about The Call in the near future!

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Listen
The Call – Road to Freedom

12
Feb

Day 338

Klaus & Kinski: just a few days ago I was recommending Alexanderplatz, the solo project of one of the Klaus & Kinski members. Well, there’s some news about this band! There is a vinyl reissue of their album “Tierra, Trágalos” for its 10th anniversary coming up on Jabalina! It is coming out on March 1st on vinyl! It includes all songs from the original release plus a cover of “Lalala” by Ataque de Caspa.

The Leontini Vernacular: the latest on Shore Dive Records from Brighton is an EP titled “Anthropause” by The Leontini Vernacular. Here are 6 songs, three labeled as demos and one remix, of psychedelic guitars and shoegazey feel. Out now on CD though it seems it will be sold out soon!

Arrest! Charlie Tipper: the Bristol band will be back with a limited edition 7″! Limited to 120 copies, this new record on the Local Underground label, will have two songs, “Five Aces” and “(I’ve Never Been to) Alaska”, and we can preview the opening track as we speak. The opening track will also be part of the double album “Adventures in Wonderland” that will be released this summer.

А в голове море: I don’t understand nor can read Russian. But I can see “Москва” and now it is Moscow. That’s the name of the latest song by this band. It is a fine slice of new wavy indiepop with female vocals. I don’t know much about the band, but I enjoy this song!

Bad Visuals: and to end this week on a high note let’s check out “So Broken” by the Oakland, California, band Bad Visuals. This four piece formed by John, Geoff, Chris and Josh are new to me. So it was a nice surprise to listen this fuzzy and bright track. The melodies and vocals kind of reminded me a bit of The Ocean Blue, though yeah, the guitars being a bit different. It’s cool!

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Who were The Marnies?

The information seems scarce. Discogs does list the one and only record they put out, a self-released 7″ from 1989 that was titled “Watch the Clock”.

This record had two songs, “Electric Wires” on the A side and “Watch the Clock” on the B side. The information that we gather from the record sleeve and labels is that the band was formed by:
Damian Tesoriero on drums
Patrick McArdle on guitar and vocals
Anthony Camm on bass and vocals
Terrance Vella on guitar

We also know that the two songs were recorded at Apollo Sound Studios in Coburg, on December 12, 1988, and that they were engineered by Maurice Coppola. The photo of the band that appears on the label was taken by Maria Sokratis. We also find an address of the band, North Fitzroy, that’s Melbourne, right?

The sleeve of the record that I’ve seen online looks hand-printed, on purple ink. Discogs lists two compilation appearances, but of much more recent days, so I really doubt it is the same band.

It seems the first blog to write about them was the fine Wilfully Obscure blog. The post actually dates from 2011! 9 years ago. That’s what it took me to discover them. Sadly the details shared are the same as I just mentioned in my post. BUT….

There is a comment by someone called Dr. Keats. He mentions many interesting tidbits about the band.

The band formed in 1987 and their name was taken from the 1964 Hitchcock film “Marnie”.  He mentions too that Patrick McArdle had been in a band called Vacuum Safari Suits, and he, Camm and Vella met at LaTrobe University.

The band played many of the classic venues of Melbourne including Punters Club, Evelyn Hotel, Empress of India, Royal Artillery, Limbo Club and more, playing alongside the Rhythm Pigs, Tyrnaround and a favourite of mine, The Falling Joys at The Tote.

Here we learn too that McArdle was the one who sang “Watch the Clock” while Camm sang “Electric Wires”. That at their gigs teh band used to finish their show with a cover of “Yesterday’s Hero” by John Paul Young. In 1989 Tesoreiro left the band andw as replaced by Maurice Toneatto. Later Tesoreiro would rejoin. In late 1990 or early 1991 the band called it quits.

And then some good information, McArdle and Tesoreiro were later in a band called Power Chime.

Lastly I find a Soundcloud by Patrick McArdle! There are a trove of songs here! I wonder if any of them are by The Marnies!

That was quite some good information. I honestly thought I’d find less info about them. Again, how come I couldn’t put together a compilation of Australian bands, I don’t know. They seemed all so little interested. It would have been so cool.

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Listen
The Marnies – Electric Wires

11
Feb

Thanks so much to Marc Elston for the interview! Some years ago I interviewed Marc about Bulldozer Crash, the band he had with Stephen Maughan, and it now made sense to pick up were we left it and talk about the Liberty Ship which was a band he had afterward and who released fine records on Matinée and Sunday. These days Marc is recording beautiful music solo which you can check on his Bandcamp!  Also do check this unreleased track by The Liberty Ship called “Wooden Man” if you haven’t already!

++ Hi Marc! Thanks so much for being up for this interview! Many years ago we did an interview about Bulldozer Crash so it’s great to do this as sort of a continuation. Or maybe that’s not, right? Was there any other projects in between Bulldozer Crash and The Liberty Ship?

I played in two bands. I played bass in Boyscout in the mid ‘90’s we were a noisy 4 piece, the key influences were alternative US rock like The Pixies and Smashing Pumpkins, very much a rehearsing and live band (the first drummer was Brian from Peru and later The Flatmates) Later I played synths and guitar in Johnny Domino, the band was influenced by Pavement, The Fall, Krautrock etc. I loved playing in both bands but I needed an outlet for my own songwriting. I played in The Liberty Ship at the same time as I was ‘operating’ synths for Johnny Domino.

++ And these days you’ve actually released music just under your own name, Marc Elston. How do you you like that? Compared to releasing music with a band, what differences do you find? Is it easier perhaps?

Actually as MJ Elston now (I have no idea why). I record when I feel I have something worthwhile to make, though the last thing I released was pretty improvised. It’s just a complete labour of love because when I’m in the mood I really enjoy the process of making and recording music. I really miss making music with other people, other commitments and now the pandemic make that difficult.

++ So let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

The first album I discovered for myself was ‘Revolver’ by The Beatles and remains one of my favourite records… a really predictable choice but the breadth of imagination and variety on it are incredible. My first instrument was a Roland SH09 monosynth…one note at a time so not a great challenge to get great noises out of it. I only picked up guitar when I was 19. I’m lucky that I was an early teen for the explosion of great imaginative chart pop music coming out of the UK in the early ‘80’s (Japan, Soft Cell, Human League, Depeche) and then as a later teen The Smiths, C86 and getting into earlier guitar bands like Orange Juice, Aztec Camera and The Pale Fountains. I’d grown up with The Beatles and The Byrds as part of my childhood soundtrack.

++ Had you been in other bands aside from the ones we’ve mentioned so far? If so, how did all of these bands sound? Are there any recordings?

I can’t think of any, a few false starts with local bands etc but no recorded evidence.

++ Where were you from originally?

I’m from Durham in the North East of England…I lived in the same village as Paddy McAloon as a young child.

++ How was Nottingham at the time of The Liberty Ship? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

Nottingham was quite vibrant at the time. Sam Metcalf was promoting gigs at a great venue called Junktion 7 and he was really kind to us with support slots, The Rescue Rooms was getting up and running, bands like Airport Girl and The Chemistry Experiment were around, labels like Fortuna Pop, Artists Against Success in Derby and record shops like Selectadisc were all going strong.

++ When and how did the band start? How did you all meet? How was the recruiting process?

I’m a little sketchy, it was c1999/2000. Tim the bass player was already a friend and we started working on my songs with a drum machine. Rachel came to us via an ad in a music shop and Steve was a workmate of Rachel. Tim was a Felt fan but nobody else was a big indiepop fan. Things came together quite quickly mainly due to the enthusiasm and open mindedness of everyone involved.

++ How was the creative process for you? Where did you usually practice?

I always recorded basic ideas on 4 track cassette machines so everyone had something to work from. It was great when Rachel started to contribute songs because she really brought a different perspective and I loved working on the guitar parts for her material. We sometimes rehearsed at Tim’s house but mainly in a rather nice (we were working and we weren’t kids), well equipped rehearsal space in Nottingham.

++ What’s the story behind the band’s name?

It’s a bit ‘precious’ really…as I was in a band already and it was a vehicle for my songs it was a ‘Liberty Ship’…no connection with The Las, though I like them…I am a History fan so I knew about WW2 Liberty Ships.

++ Who would you say were influences in the sound of the band?

The Byrds, West Coast ‘60’s pop generally, Teenage Fanclub, The Go Betweens, East Village but bits of my synthpop youth crept in.

++ Most of your records came out in Matinée, and your brother’s band, Slipslide was also on the same label. I was wondering if this brought any benefit to you both? Perhaps you had gigs together? Or for touring?

We did a couple of gigs together but no ‘touring’. Graeme had already recorded for Matinee and I knew it was a really well organised label with a strong aesthetic and Jimmy was kind enough to release some of our stuff.

++ Speaking of your brother Graeme (Love Parade, Pure, Slipslide), has there ever been a band with both of you together?

Graeme and I grew up with our Dad’s Yacht Rock, and our Mam’s chart pop. We listened to synthpop and jangly guitar bands together and we were introduced to lots of great music by Stephen Maughan and his fanzines. Graeme was up and running as a band leader as a mid teen and I was already at University. We’ve played together a few times but nothing regular or serious. Graeme has always been really encouraging with my music and helps me with recording a lot…not very ‘Gallaghers’ I’m afraid!

++ Another interesting thing when it comes to labels is that you released your records only in American bands. Was there no interest from UK or European based labels? Or other labels in general?

I have never had any expectations in terms of labels taking an interest I have felt incredibly grateful for anyone enthusiastic enough to want to release my songs. The Liberty Ship was a band of people with jobs and commitments so the idea of ‘going for it’ didn’t really figure.

++ So both “Tide” on Matinée and “Small Lives” on Sunday Records came out in 2003. I can’t remember which one came first? And I understand your relationship with Sunday was thanks to Bulldozer Crash but how did you end up working with Matinée?

As I said the connection came through Graeme and I guess that Bulldozer Crash singles were known by some people.

++ Speaking of Matinée, your first release, “I Guess You Didn’t See Here”, has on the cover photo someone with a guitar, I want to guess that it is you. Am I right? Do you still own that guitar? And what about the B side on the 7″, a Gene Clark cover. What other covers did you usually have in your repertoire? (I also remember The Smiths one!)

Haha…not me it’s a picture of a young Pete Townshend with his Rickenbacker and it’s a total rip off of East Villages Sub Aqua singles and their beautiful guitars. I love ‘She Don’t Care About Time’ I think it’s one of Gene Clark’s greatest songs. We’d sometimes play ‘No Matter What’ by Badfinger. We recorded ‘Sweet and Tender Hooligan’ for a Matinee compilation, I can’t listen to it, I rushed the recording and it’s surrounded by great covers by other bands which is always a problem on comps when you know your contribution is sub par.

++ In 2003 you released a CDEP called “Northern Angel”. I’ve seen many photos of the Angel of the North sculpture, just like the one on the sleeve, but wondering what does it feel to see it? Must be impressive?

It’s an impressive thing, maybe not a big as you might expect but a fascinating piece of civic art. I’m quite homesick for the North East at the moment.

++ On Sunday, as mentioned, you released “Small Lives” a nice 6-song mini-album. Why did you stop releasing with them after this release?

No specific reasons, it’s always nice to be asked to do anything for any label. I provided an instrumental piece for a Sunday compilation recently.

++ And just out of curiosity, to make all these lovely jangly songs, what were your favourite guitars to play? Did you use 12-strings on any of the recordings?

In Liberty Ship I was playing a Rickenbacker 360 6 string and Danelectro 12 string a lot. I had a Eko Ranger Acoustic 12 string which I liked too.

++ I think my favourite song of yours might as well be “I Guess You Didn’t See Her”, wondering if you could tell me what inspired this song? What’s the story behind it?

It’s about hurting people you love and knowing that you’re doing it…nice. There’s a lot of The Byrds and ‘Reckoning’ period REM in that song musically…it’s one of the first songs I wrote with the magical musical device…the capo.

++ If you were to choose your favorite The Liberty Ship song, which one would that be and why?

I love “Cabin Fever” of mine, I like the arrangement and the lyrics. I recently recorded an all acoustic version because, well…lockdown. My favourite overall is Rachel’s ‘Final Kick’, I remember her presenting it so modestly as a basic 4 track recording and I loved it straight away.

++ What about gigs? Did you play many?

Quite a few really, we supported The Lucksmiths, one of Amelia Fletcher’s bands (I can’t remember which one) my memory is awful for gigs usually due to the fog of stage fright…I think we supported Camera Obscura but I’d have to check with Tim who kept gig diaries…I’m a terrible archivist. It’s a good job I’ve worked with people like Stephen in B Crash and Steve in Johnny Domino otherwise there’d be no evidence I’d been in bands at all.

++ And what were the best gigs you remember? Any anecdotes you can share?

The gigs out of town were always fun, we played  in Widnes near Liverpool a couple of times, they weren’t ‘indie scene’ gigs and it’s always good to play to a different audience. I’m a school teacher and I thought playing gigs in small obscure venues wasn’t going to be a problem…until I heard ‘Mr Elston!’ being shouted from the back ‘The Rescue Rooms’!

++ And were there any bad ones?

Nothing awful…just some nervy performances

++ When and why did The Liberty Ship stop making music? Were you involved in any other bands afterwards?

Nothing dramatic just run of the mill ‘grown up’ stuff like work relocations. When Rachel left to take a new job we worked as 3 piece for a while but she brought a lot to the band and it sort of fizzled out. I’ve not been in a full band since and then my kids came along. I still make a lot of music and collaborate with people when I’m asked.

++ What about the rest of the band, had they been in other bands afterwards?

Rachel played in a band in London but I don’t think anyone else has done anything musical since.

++ Has there been any The Liberty Ship reunions?

No, but never say never…

++ Was there any interest from radio?

A few plays on some very niche radio stations but nothing noteworthy

++ What about the press? Did they give you any attention? What about from fanzines?

I think Sam wrote about us in one of his ‘zines and a few kind internet reviews. I never felt our recordings were as good as we could have done…which is completely my fault. I’d had fun experience of DIY recording with Johnny Domino and it really worked for the band. The ‘lo-fi’ approach wasn’t right for us and I shouldn’t have been so stubborn about it.

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Building the band from Tim and I with a drum machine to a full band line up and working on those songs as a harmonious and easy going group of good humoured adults…that sounds a bit dull doesn’t it but making music can be cathartic without being painful.

++ Aside from music, what other hobbies do you have?

Reading, cycling, I love France (sighs), History…

++ Anything else you’d like to add?

I enjoyed doing this, it reminded me of a happy time making music with great people.

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Listen
The Liberty Ship – I Guess You Didn’t See Her

10
Feb

Day 336

Ruth Po!: on Po!’s Bandcamp there are two new tapes from back in the day that have been digitized. That’s fantastic news! These tapes are “Bedroom Tapes 1” from 1989 and “Bedroom Tapes 2” from 1990. They are wonderful, as everything Ruth has been involved with. Yeah, I am still wondering why we haven’t done an interview for the blog yet…

Mister Baby: I discover this band and release a bit late. The cassette mini-album “Sidewalk Pop” is already sold out at the band’s label Paisley Shirt Records from San Francisco. The mini-album is a nice lo-fi pop effort by Katiana Mashikian. Very enjoyable. 8 songs including a cover of “Dr. Jones” by Aqua!

Pleasure Pill: not much info about this project from San Diego, California. They have a few songs on their Soundcloud, the latest called “You Can’t Put Your Arms Around a Memory (But Baby I’ve Tried)” which is great. Lo-fi crashpop like no many do these days. Also surprised to see a cover of “La Tentación” by legendary Spanish band Kaka de Luxe.

Racketgirl!: another band from California that doesn’t tell us anything about them! So little info! This one hails from Chula Vista and in the last few weeks have put out a few demos on Bandcamp, “Flowers for Eyes”, “Broken Glass” and “On the Floor”. They are great popsongs influenced by Tiger Trap, Talulah Gosh, Shop Assistants and on and on!

Alexanderplatz: last January the Spanish label Jabalina Música released a new album by Alexanderplatz. Available in vinyl, the 11 song album is called “Parques Nacionales Españoles”. The band as you know is the project of Alejandro Martínez who once was part of the great combo Klaus & Kinski. Recommended.

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Another discovery on the blog Calgary Cassette Preservation Society is the Edmonton, Canada, band Foes of Respiration. Seems I should dig here more often. But in due honesty the Youtube channel stoneeyedkiller is the one on top of this blog helping me find these bands. So thanks to both!

Anyways, the tape that is shared from this band is called “Avoid Inhaling”. This tape looks like an album, a demo of an album? or maybe a proper release that was sold at gigs. It doesn’t specify. What we know is that the tape had 12 songs, which were “In Place”, “Not the Same”, “I Don’t Understand”, “Extra Body”, “It’s Always Winter” and “Hot Babe” on the A side and “And You Don’t Care”, “The Gift”, “No Longer Young”, “Someplace”, “Promised Land” and “832 Juxtaposition Rifles” on the B side.

One thing that mentions the blog is that this band was the precursor to the Minstrels on Speed. I don’t actually know the Minstrels on Speed, but did find that two of the members were there, Bob Kross and Kelly Service. So that doesn’t help. In any case, right now I am focusing on the Foes of Respiration.

Luckily there are scans of the sleeve of the tape and that way we find the band member’s names:
Ken Hartig – bass, vocals
Bob Kross – guitar, vocals
Scott Lingley – drums
Kelly Service – guitar, vocals, harmonica

Other people that participated in the record were Johwanna Alleyne and Kelly McPhillamey doing vocals on a song.

All the songs were recorded in Bob’s and Kelly’s basements on December of 1988 and were produced by the band. The songs were engineered by Bob and Kelly too. They were mixed by Ian Armostrong and the band on January of 1989. The artwork was made by The Tim Okamura Experience.

Then there’s an address, so the band hailed from Sherwood Park in Alberta, if we want to be more exact.

Sherwood Park was founded as Campbelltown by John Hook Campbell and John Mitchell in 1953 when the Municipal District of Strathcona No. 83 approved their proposed development of a bedroom community east of Edmonton. The first homes within the community were marketed to the public in 1955. Canada Post intervened on the name of Campbelltown due to the existence of several other communities in Canada with the same name, so the community’s name was changed to Sherwood Park in 1956.

On Discogs I found that the band actually had one song properly released. The song was “Take Another Dream” and came out on a compilation LP called “Don’t Let the Fruit Rot on the Tree” that was released by Nine-B South in 1988. This compilation came with a booklet with information about each band on it. Would be great if anyone has it and can share any information. I am not familiar with any of the bands on this record either.

Right, Canadian bands, I don’t know that much. There are great ones, and have covered only a few on the blog. The last ones might have been The Grain and Cannon Heath Down.

I stumble upon an article from January 26, 1990, on the Calgary Herald. Sadly I can’t access it as you need an account. I wonder what it says about the band.

Then I find a cool poster of a gig of the band from October 27, 1989, at The Sunset Club. The band is playing alongside Hambone Headcheese. Then anothe rposter, this time of a gig at The Ambassador on November 11, 1989, with Pop Crisis, Rex Morgan B.C., A-Okay and Things That Wouldn’t Leave.

And that’s it. I did find that Bob Kross had been in another band, The Loved One, releasing a cassette and CD album in the early 90s. I couldn’t find information about the other band members. I think Scott Lingley may be working at the University of Alberta, that backing vocalist Kelly McPhillamey has a hair studio, and the other backing vocalist Johwanna Alleyne has an online store of pickles and preserves. Cool!

Who remembers them?

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Listen
The Foes of Respiration – It’s Always Winter

09
Feb

Thanks so much to Gretchen DeVault for the interview! The Icicles were a Grand Rapids, Michigan,  band that released records mostly on Mike Babb’s labels Microindie Records and Drive-In Records from 2001 to 2015! They left us three albums and two EP, two of their songs appearing on TV commercials, and did many great tours, including one through Denmark, Sweden and England. If you remember them, or you’ve never heard of them, I suggest reading and enjoying this great interview!

++ Hi Gretchen! Thanks so much for being up for this interview! How are you? You are still making music with the Blue Herons these days, right? Care telling me about this transatlantic project? How does it work?

Yes!! I just joined the Blue Herons in October and it’s been a whirlwind. We’ve released two singles already and have quite a few other songs that are close to completion.

Andy had a collection of really great indiepop/janglepop songs he had written but he was looking for the right vocalist. Thanks to a chance connection on social media, he heard my other band The Francine Odysseys and reached out and asked if I’d be interested in collaborating on a song. He shared his songs and they were so beautiful (plus I already loved his band The Churchhill Garden) and I immediately started working on one of the songs. Shortly thereafter, he asked if I’d like to join the band. I really love being part of the Blue Herons.

Because I’ve been recording remotely for so long with Voluptuous Panic, the transatlantic piece was a pretty easy thing.

I also have two other music projects:

The Francine Odysseys
Indie pop / dreampop
Based in LA

Before the pandemic we practiced in person and had just started playing live shows.

Voluptuous Panic
Shoegaze

Our first release was in 2014 and we’ve been recording remotely since almost the beginning. Brian my partner in the band, is currently living in Cairo. While we’ve had this project, both of us have moved from the midwest to different parts of the US and abroad.

I was also part of another music project this year:

Hero No Hero
I was a guest vocalist for their EP during the pandemic.

++ And I suppose it is very different to The Icicles, right? What do you find more different and what more similar between both projects?

Yes – the new projects are a bit different from The Icicles. I do miss the camaraderie of making music in the same room, touring and recording albums in the studio, etc. The Icicles was a huge part of my life and identity.

That said, there is also something really cool about recording alone in a room. You can go places musically that you might not have gotten to if you are in the studio. I’ve been able to experiment more vocally and push myself further with my recording skills.

I actually love both because at the end of the day it’s about making music. That’s what feeds my soul — whether it’s happening in the same room with my bandmates or across an ocean.

++ So let’s go back in time. What are your first music memories? Do you remember what was your first instrument? How did you learn to play it? What sort of music did you listen to at home while growing up?

Music has always been a part of my life. My earliest music memories are of playing the piano. We had a piano in our playroom and my mom would play the piano while we played with our toys. My grandparents (on my dad’s side) had a piano as well. I would spend hours making up songs on the piano, though I didn’t have much in the way of formal training.

My great grandmother was a pianist and taught piano lessons. I took lessons from her for a short time, but she was a pretty strict, old school piano teacher and my parents gave me the choice of whether to continue with her or not and I chose not to. My cousins all took lessons from her and I was always envious that they knew how to read music and play songs like “Ice Castles” and soap opera theme songs. So I would have them show me how to play some of the songs they were learning.

In college, I took a guitar class. I was pretty terrible at it and I’m still not sure how I passed the class. It felt like I’d never be able to play, then one day I could finally change chords sort of smoothly. The day I was able to change chords, I wrote my first song.

Listening to music was always a big part of my life as well. I would tune into Casey Kasem’s Top 40 when I was in elementary school. My mom had a record player and just a handful of records. I remember listening to her Beatles records. As soon as I was able, I signed up for one of those Columbia House Tape Clubs. I remember listening to tapes and reading the lyrics to all the songs (Tracy Chapman, 10,000 Maniacs, U2).

++ Had you been in other bands before The Icicles? If so, how did all of these bands sound? Are there any recordings?

The first band I was in was Hansel & Gretel. It would probably be described as a power pop band, though back then it was just “alternative”. There are some recordings out there, but nothing online. 

++ Where are you from originally?

Wayland, Michigan

++ How was Grand Rapids at the time of The Icicles? Were there any bands that you liked? Were there any good record stores? Or what about the pubs or venues to go check out up and coming bands?

While there weren’t tons of indie pop bands when we first started out, there were so many amazing bands coming through Grand Rapids because of Mike Babb from Microindie Records. I met Mike through the college radio station. I’m not sure if Mike was booking the shows or if he was just connecting the bands on his label to venues in town, but he was one of the big reasons such great music was coming through town. The scene definitely grew and there were some really great bands coming out of Grand Rapids (and nearby towns) like Radiator Hospital (Sam Cook-Parrot), the Campanellis and the Keen to name a few. We also loved hosting our favorite bands like The Smittens and Casper and The Cookies when they came through town. A great record store that still exists in Grand Rapids is Vertigo Music.

++ When and how did the band start? How did you all meet? How was the recruiting process?

Korrie and I started the band originally, though Joleen really is an original member too. Korrie and I met in college. We were part of a group that had started the student run radio station WCKS. Joleen was also at Grand Valley State University with us and we all hung out in college. The Icicles didn’t start until a few years after college though. When Korrie and I decided to start the band we asked Joleen if she’d be interested and she was. Then we put flyers up to try to find a bass player which is how we got our first bass player.

++ How was the creative process for you? Where did you usually practice?

We started out practicing in Korrie’s basement. Eventually practices moved to my basement.

++ What’s the story behind the band’s name? 

Well, being from Michigan, a cold climate kind of name seemed fitting. Plus we could say the name was “cool” (bad Dad joke).

++ Who would you say were influences in the sound of the band?

The music of the 90s was still a big influence to us since we were not that far past college. So bands like Belly, Throwing Muses, Heavenly, The Sundays, Even As We Speak, Luna and Bettie Serveert were heavy influences.

At the same time, there was so much new music inspiring us. Bands like Holiday, Dressy Bessy, The Salteens, The Lucksmiths, All Girl Summer Fun Band, Ladybug Transistor, Aislers Set, Essex Green, and Camera Obscura.

++ Your first release was an EP called “Pure Sugar” in 2001. At this moment you started working with Mike Babb, the owner of Drive-In Records and later Microindie who would release your follow-up releases. How did this relationship start? And how did you like working with him?

Mike is a friend of ours, we’ve known him from our radio station days. Before the Icicles became a band, I recorded a demo of some songs I had written and called the project The Icycles and gave Mike the CD. I always valued Mike’s opinion on music and still do. He’s still one of the first people I share my music with. We loved being on Drive-In/Microindie and it was an honor to be alongside some really incredible bands. And working with Mike was really easy. I feel super lucky to have been on the label.

++ Were there any other labels interested in putting your music out at this early stages?

Not really. 

++ One thing I noticed in this EP is that you recorded in a studio in Los Angeles. How did that work out? Did you all fly there? How many days were you there recording?

That first EP was actually recorded in Chicago with Dave Trumfio from King Size Sound Laboratories. He had just moved to LA but flew back to record our EP over a weekend. We had sought him out because he had produced Holiday’s Ready, Steady, Go which was an album we loved. The funny thing is that Dave had worked on some pretty high profile projects like Wilco/Billie Bragg’s Mermaid Avenue, but we were so caught up in the indiepop scene that we honestly didn’t even realize we were asking this accomplished producer to work with us on our super low budget but adorable EP. It was such a cool experience and he was a real trooper considering we were complete newbies to recording and thought we could record and mix an entire EP in one weekend.

++ Next up was the 2004 album “A Hundred Patterns” which was recorded in NYC. You were traveling all over the place. How was recording at Marlborough Farms compared to Kingsize Studios? Also when you traveled to record, did you bring your instruments?

We loved going to different places to record! A Hundred Patterns was recorded with Gary from Ladybug Transistor at Marlborough Farms. It was another great recording experience. I think the difference in this recording experience was that we weren’t quite as green to recording in a studio. We did bring our instruments. In true indiepop style, we rented a minivan and drove from Michigan to New York. We stayed at our bass player’s parents house in New Jersey and drove in every morning.

++ This album has a song named “Ralphy Rodriguez”, is it about the ex-Menudo? And if so, were you Menudo fans and was he your favourite?

I was a Menudo fan in middle school. Mostly because I saw them on an episode they guest starred in on Silver Spoons. It was hard to find their music in those pre-internet days, so mostly my fandom was derived from teen magazines like The Big Bopper / Bop back in the day. Since a few years had passed between that episode of Silver Spoons and teen magazines, I was following a newer version of the group and yes, Ralphy was definitely my favorite. He actually heard about our song and reached out to us, which was really cool. 

++ And then “Sugar Sweet” was used in Motorola ads, right? I read they were ads not in the US but internationally. Where was it aired?

Yep – in the Krzr commercials. It aired in the US and internationally, though I can’t recall which countries specifically.

++ In 2007 you release “Arrivals & Departures”. Here is another song I am curious about, “Gedge’s Song”. Is it a song dedicated to David Gedge?

So, it’s sort of dedicated to David Gedge in a roundabout way. Zane and I had a cat that we called Gedge named after David Gedge. The Wedding Present is one of Zane’s all time favorite bands. The song itself is about our cat. He would gaze out the screen door desperate to go outside. But anytime he actually escaped, he seemed to hate the outdoors.

++ And do tell, who is on the front cover photo? Is that you?

It is me. 🙂

++ In 2012, 5 years after, you released “Renegade Parade”. What happened in between releases? Why did it take so long to release this new album?

We all started having kids. That REALLY slowed everything down. 

++ Lastly in 2015 there is a limited CD called “Trees Touch Sky”. I wasn’t aware of this release and it seems to have been very limited. Care telling me how many copies were made? And about IndieGogo?

By the time we released that, I think we were all so busy with life and little ones that the EP promo totally got neglected. Also at that point Zane and I were planning to move to California, so life just got super busy. We did an IndieGogo to fund the album and we only printed a short run of CDs. It’s a really good little EP that just never really got heard much.

++ Aside from the release you appeared in a few compilations. One thing that I noticed is that you appeared on two Christmas compilations. With Christmas coming up, I wonder if it is your favourite holiday of the year?

I love a good Christmas tune. And with a band named The Icicles, it seemed natural to write songs about the snow. Snowman was a tune that wasn’t intentionally a Christmas tune, more of a winter song, but it fits perfectly as a Christmas song. 

++ Are there still unreleased songs by the band?

Absolutely. We have one that we recorded a rough of when we were in the studio for Trees Touch Skies, but it never got finalized.

++ I think my favourite song of yours might as well be “La Ti Da”, wondering if you could tell me what inspired this song? What’s the story behind it?

Thank you! I remember writing the song at my house on Richmond Street in Grand Rapids (it was the first house we lived in on Richmond Street). The words and melody came to me pretty quickly. I can’t remember specifically what inspired it but I was feeling hopeful.   

++ This song also was used on a Target commercial. How did that happen? What did you feel when you first saw the commercial?

We sent out cool promos for all of our albums. The whole band always got together and put together packages for blogs/magazines/radio stations. It was before digital so you had to mail in a physical copy of your music. I am a graphic designer so I always liked creating cool packaging for promos. I think Mike Babb gave us a mailing list that must have included some music supervision shops and so we sent them promos. We really didn’t give it much thought once it was sent though. Months after we sent out promos for A Hundred Patterns, we got an email out of the blue (it actually ended up in our junk mail) with a request to license Sugar Sweet for a Motorola commercial. So the Motorola commercial is what eventually led to the Target commercial.

Seeing the Target commercial for the first time was like the scene in That Thing You Do when the song comes on the radio!

++ If you were to choose your favorite The Icicles song, which one would that be and why?

It’s super hard to choose. If I had to pick, I’d have to say Insomnia on Renegade Parade. I love how it builds. And I love Rebecca’s guitar part. It’s not the early style of Icicles but it’s definitely how we grew together and evolved as musicians and bandmates. Would You Know is another great one — Joleen’s keys are amazing on that one. There are actually alot of great songs on Renegade Parade. That’s another album that we didn’t fully promote.

++ What about gigs? Did you play many?

We played lots of gigs around Grand Rapids and throughout the midwest. In our early days we did weekend tours throughout the midwest regularly. In our middle to later days, we limited our local gigs a little more and then tried to do bigger tours. 

++ And what were the best gigs you remember? Any anecdotes you can share?

We opened up for Dean & Britta in Copenhagen and they ended up asking us to play a secret show the following night. It was a dream come true!

++ And were there any bad ones?

We got stuck in a bad snowstorm when we were scheduled to play in Indianapolis. We drove from the hotel to the venue (it was a harrowing drive and I’m not even sure how we made it). By the time we got there, businesses were all closing. I think even the highway was closed. We ended up staying with one of the other bands for the night. I think that might have been the end of us doing weekend tours during the winter. 

++ I was never lucky to catch you live but I’ve seen a video of you on Youtube wearing like air hostess outfits which is really great. Did you usually dress up for gigs?

We did! Costumes were a really important part of our identity. We always wore matching outfits, usually ones that we sewed ourselves. Joleen was the true genius behind our outfits. She’s a brilliant seamstress and designer. She made so many of our outfits and they were absolutely gorgeous and perfectly fitted.

++ When and why did The Icicles stop making music? Were you involved in any other bands afterwards?

Things slowed down quite a bit when four of us in the band started having kids. We stopped making music when Zane and I moved to LA. But, we never officially broke up. And the door is always open to making more music.

Yes – Voluptuous Panic (which started while The Icicles were still going) and The Francine Odysseys (started a couple years ago in LA).

++ What about the rest of the band, had they been in other bands afterwards?

Yep – pretty much everyone is still working on different music projects. Joleen has a number of bands she’s in – Free Hat, Natural Body, Part Time Warriorz, Potato Babies. Aaron and Rebecca are in a band called Rabbit Fur. Zane has also played drums on some of Voluptuous Panic’s releases.  

++ Has there been any The Icicles reunions?

Yes! Usually every summer. Sometimes we are even able to pull off a show!

++ Was there any interest from radio?

The Icicles got lots of play on college radio.

++ What about the press? Did they give you any attention?

We did get good press as well. 

++ What about from fanzines?

I’m not sure if I remember any fanzines in particular. 

++ Looking back in retrospective, what would you say was the biggest highlight for the band?

Touring was definitely the biggest highlight. Two tours in particular. One was the 3 month US Tour we did. Our regular bass player and drummer couldn’t go for the full tour (Joleen and I quit our jobs to do the tour), so my husband Zane filled in on drums (he later became our permanent drummer) and our friend Melissa played bass. That trip was epic and some of my favorite memories in my life are from that tour. We met life long friends while touring. Our tour of Sweden, Denmark and England was also a huge highlight.

++ Aside from music, what other hobbies do you have?

Travel, bird watching and gardening

++ Never been to Grand Rapids, Michigan, so would love to hear from a local. What are the sights one shouldn’t miss? Are there any food or drinks one should also try?

Rowsters Coffee is one of my favorite places. I always go there when we visit.

El Adobe is another classic. We used to go there before shows for burritos and chips.

Grand Rapids also has the Flouride Monument which is kind of a funny thing.

A trip to Oval Beach in Saugatuck to see Lake Michigan is also a must.

++ Anything else you’d like to add?

Thanks so much for your interest in The Icicles. 

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Listen
The Icicles – La Ti Da