08
Jul

The past week my head has been kind of in Berlin so there’s some incongruence with this post. I must be mixing up everything right now. To keep making things more confusing, this post is about Hamburg and Japan, and I swear this is not a mix up.

Around 13 months ago I arrived to Hamburg after driving for an hour and a half from Bremen. Entering the city was fantastic, the huge port received us, quite overwhelming. Never seen so many cranes and containers before. Then around town, riding fast through the narrow streets, over the cobblestone pavement, and us on the map trying to find our way. Finally, we reached Henning Honeyhead’s place, a beautiful building, steps away from a small square. The perfumed smell of a boulangerie welcomed us to this little corner of Hamburg. 2 blocks down was the Elbe and I could make out some fake palm trees and sand. Was it a fake beach? I should have checked out.

Mixing things up again, this post is about covers, and so The Voltarenes had done a fantastic version of Another Sunny Day’s “Anorak City”. It was called “Altona City”, and this is were we were: Altona-Alstadt. I found out that in this area it was about disliking HSV Hamburg and supporting St. Pauli football team. And me, that I always supported Paolo Guerrero, had to shut up! Not very good things were told to me about HSV! Also, not so far away from Henning’s, a street we crossed everyday, the Reeperbahn, a centre of Hamburg’s nightlife and also the city’s red-light district. In German it is also called die sündige Meile (the sinful mile). And believe me, you could see some strange and weird things around there. Especially at early morning, after coming back from a gig!

I remember there was a cool vintage store, crossing the Reeperbahn, that Henning’s buddies run. I don’t know if they ever worked. They were outside all the time, on a bench, chatting and drinking beer. A block further was the Eldorado bar. What happened there deserves another page. But let’s keep walking. We finally get to the Astra Stube. I’m going to see the Honeyheads play live!

All of us, popkids, were outside under the elevated train rails, chatting and avoiding the first act: a band called Puts Marie that wasn’t anyones cup of tea. But the wait was worthwhile. The Honeyheads appeared, immaculately uniformed with yellow-white tracksuits, and I was getting another Astra. Martina, Nico, Leif and Henning were putting a great show! And then they say, “this is our last song”. And even though I feel like they should go on forever, I’m happy to know they are closing a great gig. And then they play this totally unknown song for me which is way too catchy and Martina vocals are just perfect for it!

“What was that last song you played?” I asked them immediately they finished, just when they were unplugging their guitars. “It’s called Linda, Linda, we heard it in a movie, a Japanese movie”. A movie I only saw early this year, when Netflix started carrying it. I did find the song on Youtube (both original and movie version) when I came back to the US, but I wish there was a recording of it by the Honeyheads, so you could see why I think this is the ultimate version of it.

Let’s backtrack now. The original Linda, Linda was released by The Blue Hearts in 1987, a popular Japanese punk rock band that performed from the latter half of the 1980s to the early half of the 1990s. This song reached #38 on the Japanese charts during its release year. It was released as a 7″ and the B side was “Boku wa Koko ni Tatteiru Yo”. Let’s fast forward now. 2005. The movie Linda, Linda, Linda is released in Japan. The plot goes like this:

Linda Linda Linda tells the story of a group of four high school girls who decide to put together a band for Hiiragi-sai, their school cultural festival. Three days before they are to play the festival, the guitarist and singer quit the band. The remaining members, Kei Tachibana, Kyoko Yamada, and Nozomi Shirakawa must figure out what to do or risk cancelling. They decide to perform covers of The Blue Hearts songs, but all agree that they need to find a new member to be the singer. They ask the first girl that walks by – Son, a Korean foreign exchange student. Son is not fluent in Japanese, and this leads to some difficulties and misunderstandings, but through sharing in the ins and outs of high school life, they are able to understand one another.

I really enjoyed the movie and if you have a chance, try to see it. Maybe you feel inspired to start a band! And if you do watch it, check the walls of the rehearsal room the girls use. You’ll see a Beat Happening poster. Iisn’t that cool? And mixing it up again… today I woke up listening to Beat Happening’s “Sleepyhead” and went yesterday to bed listening to the Cat’s Miaow’s “Sleepy Head”. But these, are not original and cover. Go figure.

So, if I ask politely, from this column. Henning, Martina, Nico, Lief, would you please record this song for all of us? please? Now, let’s enjoy a track from their first release.

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Listen
Honeyheads – Out of Marseille

07
May

News. Bits and bobs. Releases. Songs. Stuff. May offerings.

  • Out now is the Signed Papercuts single! I’m very happy and proud about it. It includes 2 songs, one on each side of the vinyl record. On A side you can find “Of My Heart” and on the B side the great “Sound of Silence Pt. 2″, which I believe, at least in spirit, is the continuation of “Sound of Silence” which was included in the 3″CD that was released in 2007. And speaking of that release, the comic book look is finds continuation in the 7″ thanks to the great illustration of Danny Zabbal. If you like dreamy, lush and swirly indiepop-shoegaze, this will totally be up your alley. You can order it on the Cloudberry website. Thanks again for your support
  • Firestation Records is having a huge record blowout! Lots of their back catalogue for just 1 euro! And some other stuff for 3 and 6 euro. Lots of discounts! Now is the time to get those releases you are missing from the great Berlin label. Visit them here. Among some great stuff I would totally suggest getting The Vermont Sugar House’s “Braveheart” 7″ for 1 euro, and what about The Nivens or the Bloody Marys for 6 euros. A good good deal!
  • There’s a nice bundle by The Pains of Being Pure at Heart which includes their latest 7″ (”Young Adult Friction” which is a great song!), a tote bag, a poster and 3 badges. You can get all of this for $17 dollars here. I bet these will get sold out pretty soon!
  • Also a new 7″ is out by Boy Genius. I had the opportunity to put out a small 3″ (which is still available!) that was a taster for their fantastic debut “Anchorage”. The new 7″ is out on their own Greenpop label and includes the tracks “Blame Love” and “Backyard”. I’ve only listened so far the A Side, which is streaming on their Myspace, and it’s a really nice track. Upbeat, boy/girl vocals, and jangly guitars. You can order it in their myspace
  • Also Papillons Noir label has some new stuff out that is totally worth checking out. First is the Komon 7″ that includes her smash hit, “Ebay Watchlist”. Ehem, this title sounds really familiar!! At the moment I have 125 items being watched… oh dear. And second 7″ they have out is by Help Stamp Out Loneliness! This is maybe one of my favourite indiepop bands around. This is a single you can’t miss, “Torvill and Dean” is one of my favourite songs this 2009! Get them here!
  • Stars in Coma has just put out an album on the always lovely and interesting Music is My Girlfriend. The album is called “Sisters” and I still need to order it! But it looks promising. Maybe you can be faster than me and order it here? André is very talented, I bet the album is a cracker!
  • Another album that I need to order is “Bite My Tongue” by Friday Bridge. Would probably do it next week! Need to save those 15 euros! The songs on the myspace sound fantastic, go ahead and order it here.
  • Cherry Red has some great treats for us indiepop lovers this month too! Can you believe, the lost Blue Ox Babes album is going to be released… and “Pleasure” by Girls at Our Best reissued! Can’t wait for them
  • Liechtenstein’s album is just around the corner too! Here is what Fraction Discs say:
    “Survival Strategies In A Modern World”, the debut album by Liechtenstein, will be released on both CD and 10″ vinyl on May 26! The 10″ vinyl will be a co-release with Slumberland, who will also release the CD in North America. One of the tracks from this 9 track album is now available for free download on our label page. It’s a smash hit called “Roses In The Park”. You can also have a listen to another track called “All At Once”.
  • And looking forward to May 19th for the great release by Socialist Leisure Party on Shelflife. But more on that later!

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Listen
Signed Papercuts – Of My Heart

21
Apr

News. Bits and bobs. Releases. Songs. Stuff.

  • A new split 3″ is out now and it includes the the fantastic Newcastle (United) band Pale Man Made and the lovely Malmö duo Leaving Mornington Crescent! Expect fuzzy guitars and catchy girl/boy vocals from the English side and perfect jangly pop from the Swedish side. As usual it’s US$ 5 and includes postage to anywhere in the world.
  • Also out now is a new 7″ by the fantastic Slow Down Tallahassee. It is a split 7″ shared with Standard Fare and was released by The Sheffield Phonographic Corporation. It includes two songs by our favourite Sheffield trio: “Angel of Death” and “Tricks”. Buy it here for £3.49 plus postage. It’s limited to 300 copies
  • Je Suis Animal has two new 7″s too. The first is ‘Fortune Map’ and it’s a split single with Glasgow’s finest Wake The President, released on Lucky Number Nine/Electric Honey Records. Get it here. And the second comes from Angular Records and has the fabulous The Mystery of Marie Roget on the A side and Secret Place on the B-side. You can purchase this one here.
  • The new Daisychain Connection website is up now! It has lots of mp3s to download from the band and different other projects of Stephen and Ian like Giant Loop of Sound, Dunn & Kirton and 99 Mr Bens. Check it out here.
  • Dan from Politburo just updated me that he has two new songs playing on Myspace. Well, maybe not new as they were recorded decades ago, but new for me! They are Euphoria, I Suffocate, Deaf, Dumb & Blind and Half a Hairpin. Totally worth passing by and listening to these tunes as they are FANTASTIC.
  • Our Bluetrain CD on Plastilina, the retrospective “Some Greater Love” is now sold out. This is our first sold out release and we are very happy about it and proud too!
  • Also The Bridal Shop mini album In Fragments is out on Plastilina… I think I forgot to mention it here! Anyways, it’s a fantastic 6 song CD that you shouldn’t miss. Prepare to dance, prepare to dream.
  • Intercity Baby ‘09 fanzine is out too. I got it in the mail just yesterday and it’s lovely. It’s been beautifully put together by my friend Jennifer (yes the same Jennifer that comments often in this blog!). I copy/paste her professional press release: The zine is full of romantic reminiscing on journeys – be they by train, car, or airplane – and the wonderful people and pop events that await us on the other end. I cannot fully express how genuine and fascinating the stories are. I really can’t wait for you to read them! Some of the contributors include Anorak’s own Pete Green, PeteOutcognito, and Martijn! Laz of Bubblegum Lemonade, Jenny of Strawberry Fair, and Charlie of Bears and The Golden Rule also wrote featured pieces.As stated in the first post of this thread, I posed five questions to a number of international pop luminaries. Some of those who thoughtfully answered these questions are from The Orchids, Summer Cats, Pocketbooks, One Happy Island, Friends, The Foxgloves, Very Truly Yours, and more!If you’d like to order one, you can PayPal me at popchicago @ gmail. Each copy (including postage) is $5 if you live in the U.S. and $7 if you live anywhere else. Copies will also be available through the luscious Caramel as soon as they receive my parcel.
  • What am I listening right now? A great German compilation called “19 Goldene Hits” that was released in the early nineties. It has songs by great tracks by Pleasure, Going Down With Brilliance, The Groovy Cellar, Crack’ A’ Wheat and more! More info in the Firestation Records blog.
  • What is the latest video I enjoyed on Youtube. Well it’s this fantastic performance by The Room playing their GREAT song Shirt on Fire. I only found this some days ago, don’t know why as this is one of my favourite songs ever.
  • The Hamburg POP Weekender was last weekend… and guess what, I missed it. Hope someone blogs about it. Would love to know how did it go!
  • A new 7″ on this little label will be out on May 5th! It’s by Swedish Pop-gazers Signed Papercuts! It’s fantastic, believe me, it includes Of My Heart as a A side and Sound of Silence as the B side. The artwork comes from the great Canadian illustrator Danny Zabbal. You can preview the A side on the Cloudberry Records main page.
  • Oh! I just got 100 Cloudberry badges/pins. I’ll post them with the next 100 orders, of course. So if you’d like to get one..

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Listen
Leaving Mornington Crescent – April Song
Pale Man Made – In Your Bed

28
Mar

There are two Andreas in Hamburg. One is my friend Andreas Hering and the other one is the pop mastermind Andreas Dorau. Ok, maybe if I look on the phone book there’s more, but does that really matter?

I met Andreas at Eldorado, a small club/bar in Hamburg four or five blocks away of the main street of the Red Light district. I was DJing some indiepop tunes thanks to the fantastic help and organizing skills of Nana and Henning. They had arranged this small happening so all popkids could receive the 1st of June here, which is a holiday in Germany. We could stay till late, drink lots of Astra, no one had to work next day. It was all perfect. On top of that, it was promoted really well. I met many friends that I only knew online or by name. The only familiar face was the great Peter Hahndorf. But in a matter of minutes all of the crowd became familiar faces and good friends.

I met Andreas after DJing almost at the entrance door. It was below the street level, a couple of stairs down. He was carrying some black and white posters for the Liechtenstein concert he was organizing for his “Adventure Playground” night some months later. I got a couple of those posters, one is now scotch-taped on my wall. I believe he has booked the fantastic Swedish all-girl band a couple of times more including the Hamburg Pop-Weekender he has organized along other friends. This is happening now in April and I’m totally ashamed of missing it. If you can make it there, I totally recommend going. The lineup is really to die for, including: Days, Northern Portrait, Horowitz, The Manhattan Love Suicides, the aforementioned Liechtenstein and many more. Even they’ve got The Motifs to come all the way from Australia! This is what the indiepop community is all about. And Andreas knows it. Since the day he made that legendary tape Everlasting Happiness when he was just a kid to organizing the Pop Weekender, he has been committed to indiepop.

On another dimension, Andreas Dorau was singing ‘From Jupiter comes Fred, the marvellous Kosmonaut. All the girls feel enthusiastic about him and want to keep him here forever.’ It was 1981 and he was only 17 years old. Die Doraus und Die Marinas recorded this fantastic single for Mute Records. And it was a big hit in Germany. A blissful slice of electronic pop, shambolic choruses by Die Marinas, and a fun, fresh and naive vibe that electronic pop has lost many years ago. This is one of my favourite songs, even though I only understand four or five words out of it. And what about the video for this song! The children morning tv show kind of look, Dorau’s face painted green and Die Marines having a blast throwing out some of their best dance moves, brilliant! And it doesn’t matter if Mr. Dorau had some other hits like Girls in Love more recently, nothing can compare to this song. Also there I find that there is something about the German language that also fits and suits this song perfectly, proving that pop music is universal.

Werner Herzog went to look for El Dorado in Peru on his movie “Aguirre, The Wrath of God”. I, humbly, went to Germany to look for Eldorado. Andreas Dorau brought Fred from Jupiter to Earth. And Andreas Hering will take indiepop from Earth and, I wouldn’t be surprised, take it to Jupiter one day. His love and energy is, indeed, everlasting (happiness!).

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Listen
Die Doraus Und Die Marinas – Fred vom Jupiter

17
Mar

“Even if I had the world between my hands, even if I could make you happy, I don’t know if I could get where you want to be, because you’ve always turned me down.”

I remember long discussions with my friend José many years ago. We were roommates at the time and we were devouring everything the Spanish scene had to offer. We had been exposed to some of it, to the tip of the iceberg, when we were kids back in Lima. Then, when we were living in a tiny studio in Miami Beach, around stray cats, raccoons and possums, we found out a big world to discover. There were amazing sounds coming since the 60s from the Iberian peninsula. But what had happened in South America? Why wasn’t there such a big scene down south as in Spain? And then we turned our eyes (and ears) to Argentina, the other country our teenage years FM radios exposed to us.

What happened in Argentina? We grew up under the sounds of Charly García and his different facets, from his folky Sui Generis, to Seru Giran, to end up in his eclectic solo outings. Soda Stereo were huge, a stadium band. The band leader, Gustavo Cerati, was already releasing solo records and the press was acclaiming him. The third big band from Argentina were the only ones that defined themselves as pop, the underrated Virus. The radio also exposed us to throwaway pop from Los Enanitos Verdes (the green dwarfs) or Los Rancheros, none of them I would recommend listening now unless you have a deep nostalgia crisis. Our curiosity lead us to many other bands like the pop magic of Bristol, to the energetic and fun El Otro Yo, to the obscure Don Cornelio y la Zona, among others. But we noticed that, while in Spain pop was always the way of the underground scene, in Argentina, it was rock. To push a button, the Argentinean main website for their music is called rock.com.ar.

“At what precise moment had Peru fucked itself up?” Mario Vargas Llosa asks in the first line of his “Conversation in the Cathedral” novel. I ask, “At what precise moment Argentinean pop fucked itself up?” Maybe these are strong words, but I can go back and pinpoint the fathers of the Argentinean scene, to Almendra, to look for an answer. Almendra, which means almond, was formed in 1967 when four friends got together: Luis Alberto Spinetta, Edelmiro Molinari, Emilio del Güercio and Rodolfo García. A year later, 1968, they release their first single, Tema de Pototo with the fantastic B side that is El Mundo Entre Las Manos. A great pop bliss that surprises compared to the rock-ish, garagey sounds of these years. The delicate and refined style of Almendra’s was so refreshing! But, what happened to them after this single? Where did all the pop go? You can find a bit of it on some tracks like “Campos Verdes” but it is fair to say that they lost their pop sensibility. They became bigger, I mean, they became HUGE, and they toured a lot. Maybe that was a reason? Maybe, like many 70s bands they were trying some new drugs? I don’t know. What is a fact for sure, is that they became rock and roll, they were all about their difficult and skillful guitar solos, long hairs and celebrity attitude.

And it is at this moment when their music becomes popular. Rock tracks as “Rutas Argentinas” or the Hendrix-like “Color Humano” totally teared down the Argentinean pop scene. Almendra embraced rock, Argentina embraced rock, and that fantastic pop single was found in trash bins. What if Almendra continued the path, the route of their first single? Would Argentina had been a pop country through the eighties and the nineties? Maybe. It is a wild guess. But not a wild guess to say that Almendra fucked up the pop scene back then. After Almendra pop was a rara avis in Maradona’s country.

During the last decades there has been some nice pop bands like Entre Ríos or the aforementioned Bristol, so maybe all is not lost.

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Listen
Almendra – El Mundo Entre las Manos

03
Feb

I have a new neighbor since last week. It’s a little gray kitten. It has made the flower pot outside my door his home. Everyday when I go out or come back from work I see it sleeping there. He opens his eyes and looks at me annoyed as if the keys’ chiming woke him up. He is not like those other cats in the neighborhood that when they see me they run away. No, this one has invaded my territory and doesn’t show any sign of being scared of my, almost, two meters.

I have never trusted cats. They have this haughty attitude that no other animal has. Maybe because they can always scavenge for their food, because they don’t really need to be petted (unless they are lazy cats). They don’t need a person around. They can be wild and feel fine chasing mice. I do wonder though if this big population of stray cats in Miami Beach would chase or fight the raccoon or possum population that inhabit these neighborhoods. I often hear at night some cat fights, but would these skinny cats show their scratching and street fighting techniques to a smelly possum? I bet not.

Cucho, must have escaped from that life and prefers the commodity of the flower pot on a second floor, far away of the hazards of the streets. Yes, I’ve christianized the cat and now his name is Cucho. I guess he doesn’t care. He used to hang out with the cats from the first floor, who might as well be his siblings. It’s the Top Cat gang but I prefer the Spanish names where Top Cat is Don Gato, Benny the Ball is Benito Bodoque (I think this name is genius), Fancy Fancy is Panza (yes, like Sancho Panza), Spook is Espanto (same name as one of the best Spanish bands today), Brain is Demostenes (yes, as the Greek statesman) and Choo Choo is Cucho, as my neighbor. All the gang have quite big banquets everyday thanks to an Argentinean lady that lives in the first floor. Milk and wishkas are served generously in some aluminum bowls just next to our mailboxes. What a life! is this Cat Heaven? Only Josephine could know.

I’m not sure how true is the folklore that cats don’t need to bath. That they just lick themselves clean and that’s it. That doesn’t sound very hygienic to me.  So far he hasn’t done any mess or got all muddy after this week’s pour. I’ll give you my flower pot, but let me tell you kitty, I don’t expect you to be a bathing beauty but if we are going to live so close to each other, let’s keep it friendly (and clean).

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Listen
Bathing Beauty & Sir Cecil Savoy – Let’s Keep it Friendly

27
Jan

The 2009 Twee.net poll results have been published. Everything looks fine till you see the numbers for the Best Record Label of the year. Over the years, no label has had more votes than the 31 votes Matinée struck in 2002, the first year the “best label” category appeared on the poll. There has never been such a difference between first and second as in the 2008 poll, where, with 74 votes, Series Two won the category. Here are the numbers:

BEST RECORD LABELS:
1. Series Two Records 74
2. Slumberland Records 12
3. Matinee Recordings 10
4. Cloudberry Records 8
5. Shelflife Records 4
Wee POP! Records 4
6. Labrador Records 3
Monkeymind Records 2
Magic Marker Records 2
Siesta Records 2
YAY! Records 2

So, do we believe this? NO WAY JOSE. For me, Series Two doesn’t have any credibility. It’s impossible to believe this was a fair first place. Luckily there’s a break down of the individual votes (thanks Peter!). Let’s see how many people just voted ONLY for the best label category and for Series Two. As you know, in the Twee.net poll you can choose which categories to vote for. You can always leave blank any category as well. I don’t believe any popkid would vote in the poll for only a favourite label. Perhaps I could believe them only voting for their favourite band or their favourite song of the year. But for a label? For god’s sake. Do you think people are too stupid to be tricked this way? And come on, for the people familiar with the poll, it’s always the same people voting, the indiepop scene is not HUGE, there are always familiar names. It’s terribly funny to see all these votes coming from names I’ve never seen ever before. It’s just like spam. Among these robots we have:

+ no name given
+ Andrew Palmer of The Mother Z’s (band)
+ Danny
+ kristo
+ Mataharibisu
+ OG
+ Paul Johnstone
+ renou
+ ria silva
+ Ryohei
+ star dellera

11 people! Almost what Slumberland scored. Alright, but what about the people who voted for Series Two and some other categories? Oh! those are many more and it seems they didn’t know this poll was an INDIEPOP poll. I guess Chris B.’s instructions missed this little detail. What has happened is that there is a fair amount of votes to Radiohead this year. UNBELIEVABLE! And what about the user Jeanne Betak? His best albums are worth checking out! At least for a good laugh.

I’ve seen Viagra spam on the poplist. But this spaming is even more amazing, it’s farfetched. On top of that, there’s no single Series Two release listed on Twee.net. I expected other labels to win. Labels that had a better year like Slumberland or Shelflife, or labels that ask their bands to “show some love” on the polls, as I wrote on a previous post. But, honestly, I never expected that something like this was going to happen. I guess there are no ethics whatsoever for the godsend Chris B. Criminally cheating like this, it doesn’t matter anymore if these robots care about indiepop or not. It’s about winning. FUCK the scene.

Thanks Chris B. for showing us again what you are capable of. I hope it won’t be too long when people start noticing at last the terrible damage you are causing to our little scene. Next year aim to win the Pitchfork best of list. We don’t want you around. Please.

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Listen
Another Sunny Day – You Should All Be Murdered

16
Jan

We arrived late to Hamburg on Friday night. It had been quite a pleasant trip on the autobahn from Berlin to the port city listening to great pop songs. But when arriving, things weren’t that pleasant, as we couldn’t find a parking space at all! Maybe it was that everyone wanted to go to the Gruner Jäger to see The Faintest Ideas? At first my plan was to stay 3 days in Berlin. But plans changed when I knew that the fast handed Faintest Ideas were going to play in Hamburg. I had put out, some months before, a little CD by them, the witty “There’s No Captain on this Cruise and We Don’t Serve Orange Juice”, and it was such a great occasion to meet them at last. I don’t think there was going to be another chance that all of us would coincide in Germany again. Of course I had to come back to Hamburg! Eventually after driving round and round, five blocks away of the club, we found a space.

We were starving and I tried, for the first time, on a corner restaurant, the Turkish pizza. Oh! It was great! Not apt for vegetarians though! And be careful, that the tzatziki sauce finds it’s ways to drip out of the aluminum foil, so ask for lots of napkins, which I forgot to do! And then, straight to the Gruner Jäger, were I had been already on Wednesday checking it out. But this time the Hit the North party was happening, and the music was going to be so much better. Marco and Jens are two superb DJs.

Getting inside the club, feeling somewhat happy that I was on the list for once, I meet Martin. I was saying hello when suddenly he gives me one of those infamous Gotheborg handshakes… !! Oh dear. And then I met the rest of the gang, Markus, Christoffer and Joel. We sat down at a table in the patio. Had such a great chat. I didn’t know that Markus and Joel were brothers! And that Markus actually knew some German and was born in Germany! It was great to meet them. And then singing me some songs about Miralda Second-Hand Furniture or Josephine Girlfrendo… oh what fun! How many anecdotes they had. And I was wearing my Faintest Ideas t-shirt and I couldn’t stop smiling. This is what indiepop is all about I thought, I’m so far away, I’m in Germany, they are from Sweden, we are getting along, is it the international language of pop?!

Then time for the gig, the crash-crash songs, the fastest guitars this side of Gedge. Their punkish Boyracer pop, Martin beating the snares, and that hi-hat shaking faster than a hula hoop! They even played some Javelins classic tunes. That, for me, was thrilling! Their “Terrific Times and Unrehearsed Crimes” is one of my favourite CDs I have on my collection. So listening live, songs as ‘Dexter’s Got a Sinister Heart’ or ‘I Was Raised as a Polar Bear’, was more than I could have asked. It was a perfect show. It was fast, maybe around 20 minutes, and the whole crowd was left in such a rush, that everybody started jumping and dancing as soon as Jens put the needle on some indiepop hits! You just couldn’t stop!

I have flashbacks and I see us all still dancing ‘Sensitive’ on a big circle, all holding hands and chanting. All of us having Becks after Becks, till the night dawned and it was day again. We all walked out of the club together. And it was a bittersweet goodbye. I always wonder when will I see them again. Hopefully when I get myself on a plane to Sweden. It’s time.

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Listen
The Faintest Ideas – Nosebleeders on the Tracks

03
Jan

A sudden rush of nostalgia has stopped me from this Australian pop phase I was going through. I’ve opened a time capsule finding the forgotten soundtrack of what I was listening to during the late 90s. It makes me remember Lima’s gray skies oppressing the almost 10 million people that only see the sun during the summer. That winter fog that blinds us while walking down the promenade. The dusty streets that never see a drop of rain. The monochrome clothed people, that like shadows, wander between graffiti and nightmarish traffic. The stray dogs. The shouts of kids playing football on the roads, two stones being the goal posts. The yellow flavored Inca Kola afternoons. Sunday’s at the ice cream shop. Tea time with coca leaves. Those were the days when the bleakness of the city couldn’t crush us. We were up to overthrow the president. We felt we were making history.

Radio days weren’t over. Spanish pop was my first love. Though it wasn’t indiepop clearly, I always enjoyed guitar pop. A pop upbringing that now I feel grateful for. And though this is a wild guess, I’m pretty sure we were the most 80s pop influenced country of the region. It’s still quite common to go to the clubs and listen to The Lightning Seeds, The Jesus and Mary Chain or even The Primitives. This doesn’t happen here in Miami, mind you. Spanish pop was popular, very popular. Till today people are passionate about Aviador Dro, Aerolíneas Federales, Décima Victima, and many more. You can tune radio shows playing these songs on FM. There are bands like Religión or Flash Strato that were more popular in Lima than in Spain.

It was 1997 when “Los Días y las Sombras” by Voz Propia was released. Voz Propia is a cult Peruvian band, they’ve been around since the 80s where they were part of a burgeoning underground movement in Lima. If you ask me a genre I’d say they are post punk. This is their third release and it is their best, which means it is just OK, nothing great. But I always had a soft spot for the opening, eponymous, track. Back then it was like opening a time capsule too: it was recorded in the 90s but it is a song that sounds, breathes, eats, lives, exudes 80s. Another surprise, or maybe a nod, was the album’s artwork, as it shares the same photo as The Pale Fountain’s Pacific Street. I wonder if Voz Propia liked them or if Michael Head would enjoy this record. Do you remember those puzzles, when we were kids, where you had to connect dots to make a picture appear? I like doing that with bands. Finding out how everything correlates, making the six degrees of separation a fact and not a theory. And then I realize, if it was a nod to The Pale Fountains, it could have been a hint to the Liverpudlian scene. And pondering a little more, I get this strong suspicion that this track could have been recorded by The Wild Swans after an intensive Spanish class. What do you say?

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Listen
Voz Propia – Los Días y las Sombras

01
Jan

Every New Year, in my country, we have a tradition of burning firework life-sized figures of people that have been bad during the past year. This will make things go great the next year, free of these illnesses. That’s what I want to do. I want to get rid of the bad stuff that troubles us now and start anew; see a brighter 2009!

So, before you continue reading please know: “this is not a love story.” Don’t despair.

// I refuse to do a best of 2008 list. Seems unfair as I’ve loved so many songs and bands over the year. Maybe I should write a book about it. That could be fair.

// All of the end of year lists kind of look the same. Vivian Girls, Crystal Stilts and Cause Co-Motion are up there. I don’t get why they are up there. Some do deserve to be repeated in these lists like the fabulous Liechtenstein though.

// People don’t change. Our other favourite label will continue releasing series of compilations. Some bands have been asked four dollars so they can be part of it.

// A revitalized label that enjoyed praise on 2008 will start releasing records in digital form. One more goes down to the dark side. Are we all trying to follow the major label model now?

// Magic Marker once wrote: “Starting a record label at this stage seems moronic. I was pretty impressed with Cloudberry though. It is the now classic Long Tail business method. Selling a little of a lot of bands. That was pretty much genius. What a great way to make a name for yourself and raise funds.” – what does he mean?

// Again Magic Marker: “I am not really sure what I am trying to say. I guess that illegal downloading is illegal downloading please don’t justify it. I download stuff as well”. – again, what does he mean?

// Twee.net poll winners most probably will be (fill here), because they ask their bands to vote for themselves and their label. No wonder the first place last year. I love these ethics!

// A label releases a great tribute album. But I believe tribute albums should happen when people are alive. I bet they had good intentions, but it also feels like pure gimmickry. How do you feel about it?

// Bloggers shouldn’t take credit for “mixes” they do. Keep it to your friends like the old times, pass the tape, swap your CDRs. Of course back in the day fanzine writers did take credit for their tape mixes, indeed, but they made it happen, asking bands to be part, organizing it, and recording them! What’s so great of choosing 12 songs (which bands/labels are totally unaware they are being featured) and putting them on a zip file? Anyone can do that. Or is it that these bloggers have such an exquisite taste that we are all in awe?

// “How can you trust someone that sells a CD-R (with 3 songs) for $5 that costs about $2 to produce (an incredibly generous estimate on my part), does no promotion for that release, sells that release by building up a brand, like any good capitalist does, and then claims to be an anti-capitalist representing DIY ethics and the “indie-pop way”. – someone needs a calculator. Hopefully got if for Christmas.

// Procrastination is not something to be proud of.

// I will be called grumpy after this post.

// They will ask me to keep things private.

// That won’t be a New Year’s resolution.

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Listen
Yeah Jazz – This is Not Love